Audacious

Audacious
Ella
Theodor Christensen
The first film produced by ICAIC on the position of women within the framework of the revolution. The lives of an aspiring actress and her reluctant mother, of an army lieutenant, and of former prostitutes in process of rehabilitation are explored.
Ella
Ella
Benjamin Rost
Ella has been living in her apartment in the city center for more than 40 years. Due to the massively increasing price of rent, she is forced to move out soon and to give away most of her beloved pieces of furniture. Even the ones, she restored by herself. When the new tenants of her apartment stop by to pick and choose which of her valuables they would like to keep, Ella realizes that her time in this apartment is coming to an end.
Ella
Ella
Douglas Watkin
Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.
Ella
Ella
Francisco J. Lombardi
Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…
Ella