Darkness, Be My Friend
Darkness, Be My Friend
John Marsden
Tomorrow
Augusto González Polo
A morning after a hard party. Sergio and his friends walk. Going to sleep, while the city is waking up. Thinking in nothing but breakfast, bed and the hangover. But in the middle of the road he finds his ex girlfriend. She is also about to sleep, after a different kind of night.
Tomorrow
Tomorrow
Yuliya Shatun
In a small, snow-covered town in Belarus, a former English teacher manages to scrape a living distributing leaflets to people’s letterboxes. In the evening, he joins his wife in their dingy apartment, and together they reminisce about their son, a student in Minsk they rarely see. Possibly their only excitement of the week is buying a lottery ticket, which, for a few seconds, gives them a chance to dream. Yuliya Shatun’s camera, at first oddly focused on the white expanses along every roadside, then begins to scrutinise the teacher in his comings and goings – a precise recording with, however, a hint of the moroseness of a terrain so rare in today’s cinema. The teacher has stoically adapted to a degenerate world and a life fuelled by stifled shame. An odour of neglect wafts between the apartment blocks, the uttered words and the background noise of the television. A certain irony floats in the air too, and it needs Yuliya Shatun’s patience to grasp and take responsibility for it.
Tomorrow
Tomorrow
Kazuo Kuroki
On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).
Tomorrow
Tomorrow
Mohammad Shihab Uddin
Ratul, a young boy in Bangladesh, is magically shown two very different visions of the future. In the first scenario, Bangladesh has been inundated by rising sea levels, causing great suffering; in the second scenario, fossil fuels have been replaced by renewable energy, and Bangladesh is prosperous. The purpose of this film is to teach children about fossil fuels and climate change.
Tomorrow
