The Fold

The Fold
Threshold
Zihan Loo
In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?
Threshold
Threshold
Stanley Wells, J. Maynard Lovins
During the brief 'Threshold' of time and space between life and death, the love that was denied during life comes briefly. 'Death' as personified by John Carradine, allows one last afternoon of love and peace before claiming with devastating finality.
Threshold
Threshold
Jane Houston Green
Every day thresholds are crossed both literally and metaphorically. This action helps to define decisions made and, in turn, lives that are led. However, even if enticing or inevitable, there are times when crossing a threshold might be better delayed or avoided.
Threshold
Threshold
Rania Stephan
Science fiction is a rare genre in the otherwise rich and diverse history of Egyptian mainstream cinema. One exception is the film "The Master of Time", directed by Kamal El Sheikh in 1987. In this film, the main character, a scientist named Mr. Kamel, is obsessed with the idea of immortality. Through radical editing, Lebanese artist and filmmaker Rania Stephan captures the quintessence of this obsession. In her film, she eliminates all fictional elements from the original and retains only the transition shots featuring doors, gates, and all forms of crossing and passing through.
Threshold
Threshold
Rouzbeh Akhbari, Felix Kalmenson
An Armenian film director location scouts for an upcoming film on the history of the movement of ideas and contagion along the ancient trade networks which connected the historic Armenian capital of Ani to the world. Along the way he encounters the complex geopolitical realities which impact the region.
Threshold
Threshold
Malcolm Le Grice
Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre
Threshold