Marcos Mundstock

Les Luthiers: Unen Canto con Humor

Jorge Maronna, Carlos López Puccio

Jorge Maronna, Marcos Mundstock

Premiered on June 9, 1994 at the Astengo Theater, in Rosario, Argentina. Last performance on January 31, 1999, at the Auditorium Theater, in Mar del Plata, Argentina. PROGRAM: 1 - El regreso del indio 2 - Manuel Darío 3 - Así hablaba Sali Baba 4 - El negro quiere bailar 5 - San Ictícola de los peces 6 - A la playa con Mariana 7 - Perdónala 8 - Fronteras de la ciencia 9 - Vote a Ortega Instruments premiered on this show: Bajo Barríltono Ferrocalíope. Recorded at the Auditorium Theater, Mar del Plata, Argentina, January 30, 1999.

Les Luthiers: Grandes hitos

Jorge Maronna, Carlos López Puccio

Carlos López Puccio, Marcos Mundstock

Les Luthiers is a comedy-musical group from Argentina, very popular also in several other Spanish-speaking countries such as Paraguay, Peru, Chile, Ecuador, Spain, Colombia, Mexico, Uruguay and Venezuela. They were formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities.

Les Luthiers: Bromato de armonio

Jorge Maronna, Carlos López Puccio

Jorge Maronna, Marcos Mundstock

Premiered on June 13, 1996 at the Astengo Theater, in Rosario, Argentina and last performance on December 3, 2002, at the Sports Pavilion, in León, Spain, 'Bromato De Armonio' was a show made by the Argentinian comedy-musical group Les Luthiers. The show itself was showcased all around Latin America between 1996 and 2001. PROGRAM: 1. Para Elizabeth (sonata a la carta); 2. La Princesa Caprichosa (pequeña serenata para grandes instrumentos); 3. La Vida es Hermosa (disuacidio); 4. La Hija de Escipión (fragmento de ópera); 5. La Redención del Vampiro (hematopeya); 6. Educación Sexual Moderna (cántico enclausturado); 7. ¿Quién Mató a Tom McCoffee? (música en serie); 8. La Comisión (himnovaciones); 9. Perdónala (bolérolo) The 'Campanófono a martillo' and the 'Cornetas de Asiento' were premiered on this show. Recorded live at the Teatro Coliseo in Buenos Aires, Argentina, on June the 27th, 1998.

Les Luthiers: Mastropiero que nunca

Marcos Mundstock, Daniel Rabinovich

'Mastropiero que nunca' was a theatrical humour/music show by Les Luthiers, first performed on Friday 9 September 1977 and last done on Sunday 27 February 1983 (although it was headlining only during 1977 and 1978). It consisted of nine new (never performed previously) live numbers, which ranged from a madrigal to a salsa skit. PROGRAM: 1. Jingle Bass-Pipe (Obertura); 2. La Bella y Graciosa Moza Marchose a Lavar la Ropa; 3. El Asesino Misterioso; 4. Visita a la Universidad de Wildstone; 5. Kathy, la Rrina del Saloon; 6. El Beso de Ariadna; 7. Lazy Daisy; 8. Sonatas para Latín y Piano; 9. Payada de la vaca; 10. Cantata del Adelantado Don Rodrigo Díaz de Carreras, de sus Hazañas en Tierras de Indias, de los Singulares Acontecimientos en que se vió Envuelto, y de cómo se Desenvolvió; 11. El explicado. Two new instruments were introduced during this show: the 'Calephone da Casa' and the 'Shoephone'.

Les Luthiers: Hacen muchas gracias de nada

Daniel Rabinovich, Jorge Maronna

'Muchas Gracias de Nada', is a show premiered on June 15, 1979 at the Coliseo Theater in the City of Buenos Aires by the Argentinean ensemble of informal instruments, Les Luthiers. Recorded live between October 24th and 25th, 1980 at the same theater. PROGRAM: 1. La Campana Suonerá; 2. El Rey Enamorado; 3. Sinfonía Interrumpida; 4. La Tanda; 5. Canción para Moverse; 6. La Gallina Dijo Eureka; 7. Trío Op. 115; 8. Cartas de Color; 9. Tango Op. 11. In this show 'Antenor' made its first appearance, an advanced robot (for the time it was built - 1979) that weighed 80 kilos and was equipped with several motors that allowed it to move around the stage, turn its head, etc. The robot caught fire during the last performance of this play (Palacio de Bellas Artes, Mexico - 1980) in the middle of the stage and before the astonished gaze of all those who were there.

Les Luthiers: El grosso concerto

Carlos López Puccio

Carlos López Puccio, Jorge Maronna

El Grosso Concerto, opus 58, fue un espectáculo del conjunto de instrumentos informales Les Luthiers en compañía de la Camerata Bariloche. El título, El Grosso Concerto, es en realidad una variación del título de una obra incluida en el espectáculo: el Concerto grosso alla rústica (un verdadero concerto grosso barroco, al estilo de Vivaldi). Esta obra fue compuesta por el compositor ficticio Johann Sebastian Mastropiero, inspirado en un poema del "famoso" poeta ficticio Torcuato Gémini. El título de la obra no tiene nada que ver con la forma musical de que se trata (el concerto grosso barroco), sino a la dedicatoria que le hizo Gemini a una regordeta y tosca doncella del altiplano argentino, a la que iba dedicado el poema. Dicha dedicatoria decía así: "Con certo sentimento d´amore, alla signorina grossa e rústica".

Les Luthiers: Las Obras de Ayer

Les Luthiers

Carlos López Puccio, Jorge Maronna

Les Luthiers is a comedy-musical group from Argentina, very popular also in several other Spanish-speaking countries such as Paraguay, Peru, Chile, Ecuador, Spain, Colombia, Mexico, Uruguay and Venezuela. They were formed in 1967 by Gerardo Masana, during the height of a period of very intense Choral Music activity in Argentina's state universities.

Roma

Adolfo Aristarain

Juan Diego Botto, Susú Pecoraro

Joaquín Góñez, a novelist in his sixties recalls his emotions, his wild years in Buenos Aires, the memories of old friends, the meaning of loyalty and the intimate relationship with his mother, Roma.

Quebracho

Ricardo Wullicher

Héctor Alterio, Osvaldo Bonet

The Weasel's Tale

Juan José Campanella

Graciela Borges, Oscar Martínez

A group of old actors and filmmakers tries to resist the efforts of a young couple to kick them out of their mansion.

Cama adentro

Jorge Gaggero

Norma Aleandro, Norma Argentina

Buenos Aires is in a deep recession. As the money runs out, the relationship between an employer and her live-in maid changes dramatically.

It's Not You, It's Me

Juan Taratuto

Diego Peretti, Soledad Villamil

Thirty-year-old Javier is a surgeon and in his free time works as a disc jockey. He decides to marry and move to the United States with his girlfriend María. They make all their plans; they wed, and then María is the first to move and make contacts in their new home, while Javier packs up in Argentina and prepares to start his new life in the States. While he is on the way to the airport, he receives a call from María telling him that she is confused and has been seeing someone else.

Underdogs

Juan José Campanella

David Masajnik, Juan José Campanella

In the small village where Amadeo lives there is no one good enough to challenge his skills at Table Football. But, while Amadeo may be a genius as a table football player in real life he's a loser. He's in love with Lara, his childhood friend, but he's so shy that he can't bring himself to confess his love for her. So he just hangs out in his quaint, timeless village. When Amadeo beats the village bully Flash at Table Football. The scene is set for an epic rivalry. Consumed with anger Flash vows to get even and 10 years later he returns as an International Superstar, a Football Icon and Galatico determined to wreak his revenge.

Mi primera boda

Ariel Winograd

Natalia Oreiro, Daniel Hendler

On her wedding day, Adrian, nervous, make a small mistake that aims to hide Leonora, his girlfriend, to avoid problems. But far from avoiding them, complicates the matter and the party runs the risk of end badly, like the future marriage of the couple.

Torrente 3: The Protector

Santiago Segura

Santiago Segura, Yvonne Sciò

A popular and beautiful politician plans to expose the evil-doings of a multinational corporation. Hoping to silence her, the corporation's top executives decide to hire the most incompetent detective they can find to act as her bodyguard.

Les Luthiers: Aquí Les Luthiers

Ernesto Acher, Jorge Maronna

Here Les Luthiers is a recital of the Argentine group of informal musical instruments Les Luthiers, made especially for the 45th edition of the Cosquín Folk Festival. It was presented for the only time on January 28, 2005, at the Plaza Prosper Molina in the city of Cosquín, Córdoba, Argentina, traditional venue of the festival.1