Evgeny Bauer
1865 - 1917
Умирающий лебедь
Evgeny Bauer
Vera Karalli, Aleksandr Kheruvimov
When Viktor meets Gizella one day beside the lake, he takes an interest in her and begins to call on her regularly. The one passion in the life of Gizella, who is unable to speak, is dancing. When Viktor deceives her and she finds him with another woman, she moves away and begins a career as a ballerina. Later, as she is on tour performing “The Dying Swan”, the artist Glinskiy attends her performance. Glinskiy, whose own obsession is to depict death in his art, becomes fascinated by Gizella, and he is determined to use her as a model for a special project.
The Dying Swan
После смерти
Evgeny Bauer
Vitold Polonsky, Olga Rakhmanova
Young scholar Andrei, fascinated by haunting actress Zoia Kadmina, is surprised when she sends him a note. The two have a brief scheduled meeting, then three months later Andrei is shocked to learn she has died. He becomes obsessed with her memory and decides he must find out all that he can about her.
After Death
За счастьем
Evgeny Bauer
Nikolai Radin, Lidiya Koreneva
Since Zoya Verenskaya's husband passed away ten years ago, she has been devoted to her daughter Lee. At present, Lee is in poor health, and she is in danger of losing her eyesight. Zoya's suitor Dmitry wants to get married, but Zoya is determined to wait until Lee is better. Then, on a vacation in the Crimea, they learn Lee's true feelings for Dmitry, and suddenly all of their lives are thrown into turmoil.
For Happiness
Gryozy
Evgeny Bauer
Alexander Wyrubow, Nina Tschernobajewa
Sergei’s beloved wife Yelena has passed away, and the bereaved husband is inconsolable. He remains obsessed with pictures of Yelena and with a braid of her hair that he has saved. One day, while walking in the street, he passes by a woman who bears a striking resemblance to Yelena.
Daydreams
Дитя большого города
Evgeny Bauer
Yelena Smirnova, Nina Kosljaninowa
Seamstress Mary dreams of a better life outside a sweatshop. Her dreams come true when she draws the attention of the bourgeois Victor. She soon tires of him, and thanks to her, his money is almost gone. When he suggests settling down outside the big city, where his money could be enough for a modest living, she leaves him and picks up a new lover. A year later, he is living in a shabby, cold hovel, still pining away for her.
Child of the Big City
Сумерки женской души
Evgeny Bauer
Nina Chernova, A. Ugrjumov
Despite living in luxury, Vera is lonely and discontented. When she accompanies her mother, the Countess, on a charity visit to the poor, she is troubled by what she sees, and she resolves to do whatever she can to help them…
Twilight of a Woman's Soul
Революционер
Evgeny Bauer
Ivane Perestiani, Vladimir Strizhevsky
In 1907, the Russian authorities learn that a revolutionary known as 'Granddad' is living in hiding with his brother. The revolutionary is soon arrested and sent to Siberia. After ten years of struggling to survive in harsh conditions, he is finally released when the Tsarist government is overthrown in February 1917. He is welcomed home as a hero, but he soon finds that even his own son has different views than he does about the future of Russia.
A Revolutionary
Korol Parizha
Olga Rakhmanova, Evgeny Bauer
Vjacheslav Svoboda, Nikolai Radin
This film was the last work of Yevgeni Bauer. At work on the film previous, For Happiness («За счастьем») Bauer broke his leg, and he shot his last film while in his chair, but soon fell ill with pneumonia. He began shooting in early summer of 1917. But he was soon placed in Yalta hospital and 9 June 1917 he died.
The King of Paris
Дети века
Evgeny Bauer
Arseniy Bibikov, V. Glinskaya
The picture tells the story of Maria (Vera Kholodnaya), a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.
Children of the Age
