Albert Conti
1887 - 1967Albert De Conti Cadassamare (29 January 1887 – 18 January 1967), professionally billed as Albert Conti, was an Austrian-Hungarian-born Italian-American film actor.
Born in the village Gorizia (now part of Italy), Conti achieved moderate fame as an actor in American films, but first he specialized in law (high school and law college in Graz) and natural science, and married Patricia Cross. When World War I began, he became an officer. His father was Albert, Ritter Conti v. Cedassamare and his mother was Marie Bernhardine Anna (Countess Caboga) a member of an old Ragusan/Dubrovnik noble family. After his discharge from the Austrian army at the close of World War I, he came to America like many other now-impoverished postwar Europeans from both sides of the conflict.
Conti emigrated to the United States via the Port of Philadelphia in 1919. After settling in the new country, Conti was obliged to take a series of manual labor jobs, his patrician background notwithstanding. While working in the California oil fields, he answered an open call placed by director Erich von Stroheim, who was in search of an Austrian military officer to act as technical advisor for his upcoming film Merry-Go-Round (1923).
A better actor than most of his fellow Habsburg Empire expatriates, Conti was able to secure dignified character roles in several silent and sound films; his credits ranged from Josef von Sternberg's Morocco (1930) to the early Laurel and Hardy knockabout Slipping Wives (1927). He appeared in the 1928 silent film Dry Martini as a roué artist. Though he made his last film in 1942, Albert Conti remained in the industry as an employee of the MGM wardrobe department, where he worked until his retirement in 1962.
The Merry Widow
Erich von Stroheim
Mae Murray, John Gilbert
When Prince Danilo falls in love with American dancer Sally O'Hara, his uncle, King Nikita I of Monteblanco, forbids him to marry her because Sally is a commoner. Thinking she has been jilted by her prince, Sally marries wealthy Baron Sadoja. When the elderly man dies suddenly, Sally must be wooed all over again by Danilo.
The Merry Widow
Morocco
Josef von Sternberg
Gary Cooper, Marlene Dietrich
The Foreign Legion marches in to Mogador with booze and women in mind just as singer Amy Jolly arrives from Paris to work at Lo Tinto's cabaret. That night, insouciant legionnaire Tom Brown catches her inimitably seductive, tuxedo-clad act. Both bruised by their past lives, the two edge cautiously into a no-strings relationship while being pursued by others. But Tom must leave on a perilous mission: is it too late for them?
Morocco
Fatal Lady
Edward Ludwig
Mary Ellis, Walter Pidgeon
On her debut as an opera star, Marion Stuart is interrogated and possibly implicated in the death of a male acquaintance. Released, although thoroughly shaken-up, Marion attempts to perform but loses her voice onstage. Humiliated, but driven to sing, she travels to South America under the assumed name of Maria Delasano, and works in an opera company under the tutelage of Feodor Glinka, who wants her to shun men and save herself for her art. Mary resists the persistent attentions of wealthy young Phil Roberts, who follows the company in hopes of marrying her. ...
Fatal Lady
Mockery
Benjamin Christensen
Lon Chaney, Barbara Bedford
There is hunger in Siberia during the Russian Civil War. One day while dim-witted peasant Sergei is searching corpses for food, he meets a young woman looking for the town of Novokursk. She asks Sergei to help her get there, and to tell anyone they might meet that he is her husband.
Mockery
Shanghai Madness
John G. Blystone
Spencer Tracy, Fay Wray
In the 1920s Pat Jackson destroys a Chinese post and is discharged from the Navy. Li Po Chang hires him to run a gunboat up the river. He drops Wildeth off at a mission for safety, but when his boat returns the mission is being attacked by communists.
Shanghai Madness
Symphony of Living
Frank R. Strayer
Evelyn Brent, Charles Judels
Just before Adolph Greig's solo violin performance at the Cosmopolitan Orchestra, his right hand is injured and his dream, shattered. His flighty children turn their backs on him and he collapses in the street. However, an opportunity arises for him to tutor a young violin prodigy.
Symphony of Living
Always Goodbye
Sidney Lanfield
Barbara Stanwyck, Herbert Marshall
Following the death of her fiancé, Margot Weston is left pregnant and unmarried. Former doctor Jim Howard helps the desperate Margot. When her son is born, Jim helps her find a home for the baby with Phil Marshall and his wife. Margot insists that neither the Marshalls nor the child can ever know that she is his mother.
Always Goodbye
Die Lady von der Straße
D. W. Griffith
Lupe Vélez, William Boyd
Karl, a German diplomat in Paris, discovers that his fiancee, Diane, has been cheating on him. He tells her that he would rather marry a "girl of the streets" than her. Outraged, Diane decides to grant hi his wish, and enlists the services of a Spanish singer/dancer from a disreputable nightclub to pose as a sophisticated, convent-educated singer, and surreptitiously arranges for her to meet Karl.
Lady of the Pavements
