Ivan Cardoso
1952 (72 года)Cardoso's early career is mainly associated with experimental short films such as 1971's "Nosferatu no Brasil' (Nosfaratu in Brazil), starring poet and songrwriter Torquato Neto, of whom Cardoso was a good friend.
Though his work as an experimental filmmaker continued to develop in short films through a career that spans for over four decades, his most famous and recognizable feature-length movies are the ones that mix horror and comedy elements, described by Cardoso as "terrir" ("terror" + "rir", which is a word for "laugh" in Brazilian Portuguese). "As Sete Vampiras" (The Seven Vampire Ladies), "O Segredo da Múmia" (The Secret of the Mummy) and "Um Lobisomem na Amazônia" (A Werewolf in the Amazon Rainforest) are prominent films among Cardoso's terrir works.
Documentaries on fellow Brazilian filmmakers, such as Glauber Rocha and José Mojica Marins, and on plastic artists such as avan-garte icon Helio Oiticica also figure among his filmography.
He mantains channels in websites such as YouTube and Vimeo, where lots of his short films, from the most well-known to the most underground ones, are avaliable for free.
À Meia Noite com Glauber
Ivan Cardoso
Glauber Rocha, José Mojica Marins
A late-1960s interview with Brazilian filmmaker Glauber Rocha, mixed in avant-garde style with scenes from his films and clips from fellow filmmaker José Mojica Marins and visual artist Hélio Oiticica.
At Midnight with Glauber Rocha
Ivan, O TerrirVel
Mario Abbade
Ivan Cardoso, Eduardo Viveiros de Castro
Ivan Cardoso is the inventor of the terrir, a subgenre that mixes comedy, Brazilian chanchadas and classic American horror. This film promotes a rescue of his work by mixing archival material, animations and fictional reconstructions.
Ivan, the TerrirBle
Moreira da Silva
Ivan Cardoso
Moreira da Silva, Wilson Grey
Musical documentary focused on the iconic figure of singer and songwriter Antônio Moreira da Silva, also known as Kid Morangueira. Inventor of a way of singing called "samba de breque", at 70 he's in full shape, dressed in a white suit and panama hat, singing his best known songs at a number of places.
Moreira da Silva
Torquato Neto - Todas as Horas do Fim
Marcus Fernando, Eduardo Ades
Jesuíta Barbosa, Torquato Neto
The story of Brazilian poet Torquato Neto, who lived passionately through fracturous times and worked in several fields, including music, journalism, and cinema. He was an active participant in the revolution of Tropicália and marginal art, which changed the course of Brazilian culture in the 1960s and 1970s, until he committed suicide on his 28th birthday.
Torquato Neto - Every Hour of the End
O Mandarim
Júlio Bressane
Fernando Eiras, Gilberto Gil
The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.
The Mandarin
A Agonia
Júlio Bressane
Joel Barcellos, Maria Gladys
Cropped hair, a rosemary branch behind the ear, yellow shirt of shiny satin, he's behind the wheel of his car when passing by a woman who walks by the roadside. Strongly painted lips, printed dress with round skirt and red shoes matching the color of the lipstick, she catches his attention. He gives her a ride, the two of them stare in silence for a few moments. They introduce themselves to one another and between the two establishes an absurd dialogue and full of metaphors. And they are driving around in corners of Rio de Janeiro, to the sound of Noel Rosa and Lamartine Babo. Eva and Antena, she a seer, he, an assassin on the run, initiate an unusual case of love, a marginal love, where boredom often gives way to tragedy, creating the agony of a holiday spent in an abyss.
The Agony
Uma Estrela pra Ioiô
Bruno Safadi
Gustavo Falcão, Mariana Ximenes
Antônio wants to give his girlfriend, the prostitute Ioiô, a star. He meets a salesman who claims he can get one for him, with certificate included! After many negotiations, Antônio finds out he has been taken in.
Uma Estrela pra Ioiô
O Colírio do Corman Me Deixou Doido Demais
Ivan Cardoso
Ivan Cardoso, Roger Corman
A totally Cardoso-appropriated footage delirium, done as a tribute to US independent cinema's original rebel. In the end, Corman himself blesses Cardoso by saying: "You blended horror, sex and humour very well. And particularly the editing is very good because the film never lagged or slowed down". Which film? This one!
Corman's Eyedrops Got Me Too Crazy
