Ana Risueño
1969 (56 лет)
Lugares a los que nunca hemos ido
Roberto Pérez Toledo
Belén Fabra, Francesc Corbera
Elena has ordered dinner at home, but when she opens the door, she discovers that the delivery man is Manu, the one who was her great love and whom she has not seen for too many years.
Places Where We've Never Been
Cinzento e Negro
Luís Filipe Rocha
Joana Bárcia, Miguel Borges
The story of Maria, a woman betrayed by his companion, David, when he steals a sack of money and flees, taking refuge in the island of Pico. Furious and determined to avenge herself, she proposes to an Police Inspector, Lucas, to chase and to find David. However, David, on a visit to the island of Faial, falls in love with a local, Marina. Maria and Lucas look for David in the Azores, they cross with Mariana in Faial and the three will discover David in his house of the mountain, at the top of the Peak. In a final confrontation, as in a Greek tragedy, Mary and David adjust the accounts that fate has traced to them.
Grey and Black
Sueños en la mitad del mundo
Carlos Naranjo Estrella
Héctor Alterio, Concha Cuetos
A bus called Sueños (Dreams) links three modern-day tales set in exotic Ecuador - the equator-straddling country that calls itself "The Middle of the World." Each of these stories carries a woman's name, and each features a mysterious, alluring female outsider who bewitches men. In the first tale, a blonde woman with an unclear past arrives in a remote, male-deprived Andean town and offers piano lessons, only to become the focus of wild rumors and innuendo. In the second, a married college professor who is haunted by nightmares becomes obsessed with a beguiling woman who seems to be sending him an ominous message. In the final story, a couple vacationing at a jungle resort refuse to believe in the ancient myths of Ecuador, but are forced to confront the legendary Guasangó.
Dreams from the Middle of the World
Rumors
Óscar Aibar
Xavi Mira, Ana Risueño
A young unemployed journalist finds a way to control the incredible power of gossip for living. He create a small business and establishes the rules of what he believes will be a revolutionary new business. One day he discovers that it is no pioneer: the world has been manipulated for decades by large multinational dedicated to creating and spreading rumors.
Rumors
No dejaré que no me quieras
José Luis Acosta
Pere Ponce, Alberto San Juan
Two men, each with serious problems with your partner, match in a Chinese restaurant. They agree on a plan, one to avenge her lover, the other to recover some diamonds that are held by his ex-wife. The complicity of the two men is shattering, and the result of the plan is far from which traced.
I Won't Let You Not Love Me
The Valdemar Legacy
José Luis Alemán
Paul Naschy, Óscar Jaenada
Luisa Llorente, an expert on taxation of old buildings, had recently gone to the Victorian mansion Valdemar to conduct an inventory of property ownership. After she mysteriously disappeared, Maximilian, president of her company, engaged the services of a private detective to help find her. But soon they will discover that it is not the first disappearance at Valdemar mansion!
The Valdemar Legacy
Enciende mi pasión
José Miguel Ganga
Miguel Bosé, Emma Suárez
The relationship that botanist Angel establishes in his mind between plants, their stems, petals and pistils and the legs and feet of women, is the common thread of a plot that mixes sexual passion, love, greed and picaresque through a study of characters and situations.
Light My Passion
La Celestina
Gerardo Vera
Penélope Cruz, Terele Pávez
The young nobleman Calisto falls in love with Melibea, the daughter of a rich merchant. Calisto's servant Sempronio suggests they get the sorceress Celestina to further the romance. However Calisto's other servant Parmeno is suspicious of Celestina, as he knows about her tricks.
La Celestina
El paraíso ya no es lo que era
Francesc Betriu
Miriam Díaz-Aroca, Neus Asensi
Mercedes (Neus Asensi) Mariángeles (Ana Risueño) and Carmen (Miriam Diaz Aroca) need to escape something: the stress of the job, a divorce or a gray and boring existence. And all three are looking for something: a love affair in an exotic country. The destination is Tunisia, land of contrasts, from the deserts and beaches. But far from land into a paradise unprecedented journey undertaken with a group of quirky characters.
El paraíso ya no es lo que era
Impulsos
Miguel Alcantud
Paloma Berganza, Michaela Břízová
One morning just like any other in Madrid, two perfect strangers, Sara and Jaime, are just two more people standing on an underground platform. A man falls onto the tracks as the train pulls up. For everyone there, it´s a tragic accident. But not for Sara. Horrified, she believes she saw Jaime push the victim onto the tracks. She decides to blackmail the killer. The hunter and her prey become involved in a perverse and increasingly intimate relationship, at a distance.
Impulses
The Valdemar Legacy II: The Forbidden Shadow
José Luis Alemán
Daniele Liotti, Óscar Jaenada
A group of friends discover an ancient book, the Necronomicon, the Book of the Deads. They discover that the book is a link between our world and the world of ancients creatures, older than our civilizations.
The Valdemar Legacy II: The Forbidden Shadow
Isi/Disi - Amor a lo bestia
Chema de la Peña
Santiago Segura, Florentino Fernández
Will love compromise one man's devotion to heavy rock? That's the all-important question behind this broad comedy from Spain. Isi (Santiago Segura) and Disi (Florentino Fernandez) are two best friends who live in a lower middle-class neighborhood near Madrid. Isi and Disi aren't especially bright, but their devotion to heavy metal is complete and unquestioned, and they wouldn't be caught dead listening to a lame pop singer like, say , Joaquin Sabina. However, one day Isi sees Vane (Jaydy Michel), a beautiful girl who attends a nearby college, and immediately falls head over heels in love.
Isi/Disi - Amor a lo bestia
Desayunar, comer, cenar, dormir
Lino Escalera
Jorge Bosch, Neus Asensi
Esteban and Virginia do what they usually do together, but is it out of love or out of habit and fear of loneliness? Would daily routines work just as well with someone else? A depiction of a dead end relationship.
Breakfast, lunch, dinner, bed
