Boris Gerrets

Shado'man

Boris Gerrets

In Freetown, the capital of Sierra Leone, a group of friends lives on the streets. They call themselves the Freetown Streetboys, even though there are some women among them as well. Suley, Lama, David, Alfred, Shero and Sarah have all faced enormous physical and psychological challenges, and have been abandoned by the world around them. Without commentary and in poetic, cinematic images, the camera records the dark environment that they inhabit. The group shares their heartrending stories of the precarious nature of life in this complex country. But there is also room for everyday personal struggles, such as starting relationships, how to bring up children (or not), and sex.

People I Could Have Been and Maybe Am

Boris Gerrets

Sandrine Correa, Efitayo Akousa

Entirely shot on a mobile phone, the film evolved from chance encounters in the streets of London: Sandrine, an attractive young woman on a mission to find a husband, Steve, a seasoned beggar, struggling with addiction and and Steve's girlfriend Precious, a poet. Blurring the confines between fact and fiction. the film raises questions about the relationship between filmed and filmmaker. The closer he gets to his subjects, the more the obstruction of his camera seems to distance him from them. Ultimately People... reveals a personal and humane space that only came into existence precisely because it had been filmed.

Les Lamentations of Judas

Boris Gerrets

Jonas Luvango, Rafael Siata Temba

The Terrible Ones, a group of Black Angolan soldiers, once fought white South Africa's colonial wars. Repatriated to South Africa at the end of the eighties, some of them languish in the ruins of Pomfret, a former asbestos-mining town remotely situated at the edge of the Kalahari Desert.