
Sakura Ando
1986 (40 лет)She was born to actor/director Okuda Eiji and celebrity Kazu Ando on 18.02.1986. Her great grandfather was prime minister Tsuyoshi. Her older sister is director Ando Momoko. She saw her father on stage at age five and decided to become an actress while in second grade. She was often ill as a child. Her disease made her dizzy, lose her balance and more throughout her childhood. Her brain would shut down. She would opt for her mother's maiden surname for her professional career. Sono Sion picked her for his film Love Exposure and gave her a major start on the big screen. She won an award as the Best Supporting Actress for her work in it at the 31st Yokohama Film Festival. Earlier her father cast her in his film Kaze No Sotogawa ('Outside The Wind') alongside her mother and sister. She has since appeared in multiple movies and serials and won several more awards. She married actor Emoto Tasuku in 2012. She had met him on a train in 2008 and had obtained her father's permission to date and marry. She was a boxer in 100 Yen Love, which was fortunate since she had practiced boxing when she was fourteen-years-old. She gave birth to her first child, a girl, in 2017. She won the award for Best Actress at the 42nd Japan Academy Prize for her work on 2018's Shoplifters. By then she was considered one of several top young actresses in Japan next to Yu Aoi, Miyazaki Aoi and perhaps Aso Kumiko. Interestingly, she had earlier decided to retire and focus on raising her child. She is a graduate of Gakushuin Women's College.
Love Exposure
Sion Sono
Takahiro Nishijima, Hikari Mitsushima
The story of a teenage boy named Yu, who falls for Yoko, a girl he runs into while working as an "up-skirt" photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing – which convinces Yoko that she is lesbian – dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.
Love Exposure
Shoplifters
Hirokazu Kore-eda
Lily Franky, Sakura Andō
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them.
Shoplifters
0.5 mm
Momoko Ando
Sakura Andō, Junkichi Orimoto
Sawa, a home helper for a middle class family with an elderly infirm grandfather, is forced to stretch her morals to keep her job. As a result, she finds herself broke and out on the street. She survives her first night by striking up an ambiguous friendship with a kindly old man, gaining access to a portion of the immense wealth held by Japan's aging population. She continues with similar encounters, and while these begin as scams or revenge on rampant sexism, they ultimately become vulnerable intergenerational exchanges.
0.5 mm
百円の恋
Masaharu Take
Sakura Andō, Hirofumi Arai
Slacker Ichiko gets into a fight with her younger sister and begins to live on her own, working the late shift at a 100 yen shop. On her way home, she passes a gym and meets middle-aged boxer Kano who trains there in silence...
100 Yen Love
かぞくのくに
Yang Yong-hi
Sakura Andō, Arata Iura
From the late 1950s through the '70s, more than 90,000 of the ethnic Koreans in Japan emigrated to North Korea, a country that promised them affluence, justice, and an end to discrimination. KAZOKU NO KUNI tells the story of one of their number, who returns for just a short period. For the first time in 25 years, Sonho is reunited with his family in Tokyo after being allowed to undergo an operation there. Sonho’s younger sister Rie is at the centre of the film, and is not hard to recognise as the director’s alter-ego. In her documentaries DEAR PYONGYANG and SONA, THE OTHER MYSELF, Yang Yonghi told the story of her own life, and how, at age six, she experienced the departure of her three older brothers, who left their family for Pyongyang.
Our Homeland
僕らは歩く、ただそれだけ
Ryuichi Hiroki
Sakura Andō, Tasuku Emoto
A young woman named Miyuki returns to her hometown, camera in hand, after a difficult breakup. As she walks and takes photographs, she meets a variety of people and begins to realize she doesn’t have to go through this painful time in her life all alone.
Bokura wa aruku, tada soredake
Homeland
Nao Kubota
Kenichi Matsuyama, Seiyo Uchino
Jiro Sawada is a sophomore in high school when a false accusation drives him out his hometown: a small village in Fukushima Prefecture. The entire village is abandoned after the 2011 Tōhoku earthquake and tsunami, but Jiro returns there to live. Before long, members of his family come and join him.
Homeland
Destiny: The Tale of Kamakura
Takashi Yamazaki
Масато Сакаи, Mitsuki Takahata
Set in an alternate universe, the ancient capital of Kamakura is a vibrant town where fantastical creatures live alongside humans. Akiko is a cheerful publishing assistant who moves into town after marrying Masakazu, a popular mystery writer. Akiko is surprised by the unusual town but enjoys the new curiosities surrounding her. However, just as she was beginning to settle in, a trifling incident sweeps her spirit to the underworld too soon. Convinced that destiny has something else in store for his wife, Masakazu journeys into the underworld to bring back Akiko’s spirit.
Destiny: The Tale of Kamakura
色即ぜねれいしょん
Tomorowo Taguchi
Daichi Watanabe, Kazunobu Mineta
Based on the semibiographical novel by Jun Miura, Oh My Buddha is the classic summer coming-of-age story that is burned to a crisp with teenage angst, youthful dreams and that warm sense of folk zeitgeist of the 70s. The narrator is a first-year student at an all-boys Buddhist school. Jaded by his dull, ordinary life, he longs for the type of creative, liberal and forward life his idol Bob Dylan leads, writing rock songs alone in his room, imitating his hero's signature croon, until one day he got invited on an island trip of sexual liberation with his fellow liberal friend.
Oh, My Buddha!
娚の一生
Ryuichi Hiroki
Nana Eikura, Etsushi Toyokawa
Tsugumi Dozono works at a large electronics company in Tokyo. She likes to spend long vacations at her grandmother’s house in the countryside. When her grandmother dies, Tsugumi Dozono decides to live in the house full-time, and to work from there as well. However, one day she encounters a middle-aged man in the house, who tells Tsugumi that her grandmother gave him a key to the annex house when he was her student. The two share the property, although Tsugumi still does not know the exact relationship that her grandmother had with this man.
Her Granddaughter
愛と誠
Takashi Miike
Satoshi Tsumabuki, Emi Takei
Troubled high school student Makoto arrives in Tokyo to exact revenge from a past incident. He then falls in love at first sight with Ai, a daughter raised in a wholesome family. Around Makoto and Ai are Iwashimizu, who has feelings for Ai and Gamuko, a gang member who eyes Makoto.
For Love's Sake
春を背負って
Daisaku Kimura
Kenichi Matsuyama, Yu Aoi
Toru grew up in alpine countryside around Mount Tate. As a child, he resented the yearly trek up the mountain with his father to prepare their mountain hut for the summer season of climbers. When Toru grows up, he leaves his hometown and enters the working world as a stock trader. One day, Toru receives word that his father has passed away. He returns to Mount Tate once again, and becomes conscious of a new calling. But, does Toru have what it takes to follow in his father footsteps?
Climbing to Spring