Dunia Ayaso
2021La isla interior
Félix Sabroso, Dunia Ayaso
Candela Peña, Alberto San Juan
The story of three siblings who try, each in his or her own way, to fight off the curse they have inherited: schizophrenia. Their father's genetic legacy, which they have schlepped around their entire lives, is exacerbated by the strict and moralistic upbringing they received from their mother.
The Island Inside
Perdona bonita, pero Lucas me quería a mí
Félix Sabroso, Dunia Ayaso
Jordi Mollà, Pepón Nieto
Until Lucas appeared in their lives, Dani, Carlos and Toni had a quiet life with no major concerns. They shared almost everything: the house, housework, dogs, his homosexual tendencies and debts. It was these that forced them to rent one of the bedrooms of their floor. Then came Lucas, his hair long, his charming smile, and his muscular body to completely change the life and destiny of their lovers home. Lucas is found dead but ... Who killed him? All had reasons to do so, or maybe none.
Excuse Me Darling, But Lucas Loved Me
Los años desnudos (clasificada S)
Félix Sabroso, Dunia Ayaso
Candela Peña, Goya Toledo
Madrid, Spain, 1975. Sandra, Lina and Eva are three beautiful women who work as actresses in erotic movies. After meeting during a shoot, they become friends and begin to share experiences, concerns and successes in an era of increasing openness, although true freedom is still far away and demands a price hard to pay.
Rated R
El grito en el cielo
Félix Sabroso, Dunia Ayaso
María Conchita Alonso, Loles León
TV host Miranda Vega heads a variety talk-show format. Confronted with plummeting ratings, she is forced to try a different approach that brings singing hookers, drug addicts, and other no-talents into the studio. Miranda feuds with lesbian actress Marta Pena, prompting Marta's companion Soraya, a "karate artiste," to participate in the variety show. Chaos reigns when the show goes on the air live.
Shout Out
El banjo
Félix Sabroso, Dunia Ayaso
Eleazar Ortiz, Cecilia Solaguren
A woman with a strange look is sat drinking in a soulless bar on a desert area road. She’s waiting for the arrival of a man, maybe an old love that abandoned her there, leaving the place looking for a different life. The reencounter is tense, almost like a duel, and arises the resentment of the one that stays, the guilt of the one that leaves, the overcoming of the instilled tradition...
The Banjo