Felicity Devonshire
1949 (76 лет)Lisztomania
Ken Russell
Roger Daltrey, Sara Kestelman
Roger Daltrey of The Who stars as 19th century genius pianist Franz Liszt in this brash, loud and free-wheeling rock 'n' roll fantasia centered around an imagined rivalry between Liszt and composer Richard Wagner-- painted here as a vampiric harbinger of doom and destruction.
Lisztomania
Whose Child Am I?
Gerry O'Hara
Kate O'Mara, Paul Freeman
Paul Freeman (of RAIDERS OF THE LOST ARK fame) and Kate O'Mara plays a couple who can't have a baby, so they go to the doctor to have an artificial insemination...blackmail, dark secrets and drama ensue.
Whose Child Am I?
The Over-Amorous Artist
Maurice Hamblin
John Hamill, Sue Longhurst
Sexploitation comedy about an aspiring artist. Alan and Sue switch roles: she goes out to work while he looks after the home and concentrates on his painting. However, he fails to anticipate the time-consuming attentions of various female neighbours.
The Over-Amorous Artist
The Magnificent Seven Deadly Sins
Graham Stark
Spike Milligan, Marty Feldman
The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
The Magnificent Seven Deadly Sins
The Sex Victims
Derek Robbins
Ben Howard, Alun Armstrong
A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)
The Sex Victims
Intimate Games
Tudor Gates
George Baker, Felicity Devonshire
A university professor opens a sexual Pandora's box when he hands his class an assignment to explore their deepest carnal fantasies and desires. As the students begin to plumb their secret passions, they find themselves propelled into an erotic world where theory soon yields to practice.
Intimate Games
The Four Dimensions of Greta
Pete Walker
Tristan Rogers, Karen Boyes
Hans a young German journalist arrives in London to write an article about au-pair girls, but is requested by friends to investigate the whereabouts of their teenage daughter Greta.
The Four Dimensions of Greta
La fine dell'innocenza
Massimo Dallamano
Annie Belle, Felicity Devonshire
Annie, the mistress of a middle-aged financier, accompanies him on a trip to Hong Kong. When his business interests collapse Annie ends up destitute. She is befriended by a group of socialites and begins her rite of passage in their world.
Annie
