Grace Henderson
1860 - 1944Two Little Waifs
D. W. Griffith
Grace Henderson, Verner Clarges
Mrs. Weston’s child dies and she mourns her loss. Meanwhile, two young girls are placed in an orphanage after their mother dies. They escape to search for her in Heaven, and arrive at Mrs. Weston’s house. She decides to adopt them.
Two Little Waifs
Black and White
Dell Henderson
Harry Carey, Donald Crisp
They were two hobos, black and white, master and man, a regular slave driver white, while black went off for the eats. But Cleopatra and her sweet-potato pies ended the despotism. She saved the "lovin' man" of her race. Tabasco and an officer of the law did it, while white made a fast retreating speck up the track.
Black and White
Waiter No. 5
D. W. Griffith
George Nichols, Claire McDowell
After conducting a raid on a Rebel camp, a Czarist officer discovers that his wife has joined the revolutionaries. Out of loyalty to his wife, the officer resigns his commission and escapes with her to America. Several years later, the ex-officer is gainfully employed as a waiter in a Russian restaurant. For the sake of his grown son, who is engaged to marry a wealthy socialite, our hero pretends to be a man of great wealth and prestige. The truth is revealed in the final scene, but "Waiter Number 5" is saved from disgrace by the timely arrival of his former superior officer.
Waiter No. 5
Little Angels of Luck
D. W. Griffith
George Nichols, Grace Henderson
Edward Rose, owner of an independent sugar company, resists the "Sugar Trust". His partner, however, conspires with the Trust to force Rose into bankruptcy. Rose’s two young daughters go to Wall Street to plead with the Trust president. Unmoved by their offer to turn over their small savings, the president finally succumbs to their tears. He offers Rose a job and happiness returns to the family.
Little Angels of Luck
A Wreath of Orange Blossoms
D. W. Griffith
Edwin August, Grace Henderson
The daughter of a poor seamstress takes a package to the house of her mother’s wealthy employer and meets the lady’s son. The son requests a date and eventually proposes marriage. His mother is horrified and disowns him. After the marriage they live in an elegant flat and she meets her husband’s social set at the parties that they host. Her husband becomes preoccupied with business worries, leaving her vulnerable to the attentions of a rake. After he is ruined, they are forced to move to cheaper quarters. Her husband goes out to look for work. The rake appears and proposes that she leave with him. As she is packing her bags, she finds the wreath of orange blossoms that her husband had brought to her on her wedding day, which they had stored away together after the marriage. She orders the rake out of the house and begins to clean up. Her husband, who has found a job meanwhile, comes home to a cooked supper.
A Wreath of Orange Blossoms
A Corner in Wheat
D. W. Griffith
Frank Powell, Grace Henderson
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
A Corner in Wheat
An Unseen Enemy
D. W. Griffith
Lillian Gish, Dorothy Gish
The physician's death orphans his two adolescent daughters. Their older brother is able to convert some of the doctor's small estate to cash. But it is late in the day, and with the banks closed he stores the money in his father's household safe. The slatternly housekeeper, aware of the money, enlists a criminal acquaintance to crack the safe. She attempts to get into the adjacent room where the sisters tremble in fear, but finds that the door is locked. The drunken housekeeper menaces them by brandishing a gun through a hole in the wall.
An Unseen Enemy
The Marked Time-Table
D. W. Griffith
George Nichols, Joseph Graybill
Young Tom Powers has a wild, irresponsible lifestyle which is condemned by his father but indulged by his well-meaning mother. Tom is pressed to pay his gambling debts, but his father refuses to give him the money. Later, the father plans a business trip on which he will be carrying a large amount of cash. In desperation, Tom disguises himself and surreptitiously enters the house to steal his father’s wallet. Seeing the "burglar" but unaware of his identity, his mother removes the money from the wallet and substitutes the timetable on which Tom’s father had marked his itinerary, intending to give Tom the money and blame the theft on the "burglar". Tom is later apprehended by the police, and his father, called to the station, opens the retrieved wallet and finds the timetable inside. Instantly realizing what has happened, he allows his son to go free. Tom is sobered by the incident and goes away to make a fresh start in life.
The Marked Time-Table
Just Like a Woman
D. W. Griffith
Mary Pickford, Grace Henderson
When the suitor of the daughter of an apparently wealthy widow finds out that the oil stocks, in which her late husband's fortune is invested, are worthless, he finds the daughter less attractive. The widow's broker has a wealthy friend, who becomes very interested in the girl, although he is twice her age. He proposes marriage, believing that he can win her love through kindness. The girl, for her mother' sake accepts and they are married. Despite his great love he is unable to overcome the great difference in their ages, so he buys the worthless oil stock so that she may be independent, and he then leaves her to go back to his oil fields. His sacrifice arouses the girl's love and she follows him to tell him of her awakening.
Just Like a Woman
Lena and the Geese
D. W. Griffith
Mary Pickford, J. Jiquel Lanoe
A first-born baby girl is sent away and placed in the care of Gretchen, a trusted peasant woman, who is the widowed mother of a child about the same age. The two children grow up as sisters. Later, upon her deathbed, the noble lady repents and sends for her child to reinstate her. Gretchen takes this opportunity to make a great lady of her own daughter Lena, the goose girl, by sending her to court instead of the real heiress. Hence Lena is taken before the noble lady, happy in the belief that she has made reparation. Lena is now a great lady, but the title does not fit well-- She longs to be back with Gretchen and her "geeses".
Lena and the Geese
The House with Closed Shutters
D. W. Griffith
Henry B. Walthall, Grace Henderson
During the Civil War a young soldier loses his nerve in battle and runs away to his home to hide; his sister puts on his uniform, takes her brother's place in the battle, and is killed. Their mother, not wanting the shameful truth to become known, closes all the shutters (hence the film's title) and keeps her son's presence a secret for many years, though two boyhood chums stumble upon the truth...
The House with Closed Shutters
The Old Actor
D. W. Griffith
W. Chrystie Miller, Kate Bruce
An elderly actor who lives with his wife and daughter is dismissed from his acting job because he is considered too old. On his way home from the theatre he panics at the thought of telling his family the bad news and decides to disguise himself as a beggar. His daughter's beau accidentally gives him a five dollar gold piece, thinking that it was a smaller coin. A chase ensues with a policeman, the daughter, and her beau in hot pursuit. When caught he is recognized by his shocked daughter, but is quickly forgiven by all. Meanwhile the actor hired to replace him has already been fired and a messenger is dispatched to rehire the Old Actor to the delight of his wife, daughter, and fellow actors.
The Old Actor
Muggsy Becomes a Hero
Frank Powell
Billy Quirk, Mary Pickford
Two spinsters on their way to church, are accosted by a couple of burly tramps. When Mabel is called to the church meeting with her mother, she sends Muggsy a note asking him to meet her after the service so he may walk home with her. Muggsy is there on time, however, the old ladies are afraid to make the return trip unaccompanied. The pastor asks that a man escort them home. Poor Muggsy gets chosen, and when the trio reach the deserted part of the road, the tramps again appear.
Muggsy Becomes a Hero
The Failure
D. W. Griffith
Wilfred Lucas, Dorothy Bernard
A man loses his business and his fiancée, and drifts into the saloons. There he meets a similarly-downtrodden young woman. She works behind the scenes to help him recover his life, and eventually he realizes how steadfast she is.
The Failure
