Kleber Mendonça Filho
1968 (56 лет)With a degree in Journalism from the Federal University of Pernambuco, Kleber Mendonça Filho began his career as a film critic and journalist. As a director, he experimented with fiction, documentary, and video clips in the 1990s. He migrated from video to digital and 35 mm film in the 2000s. Over the course of that decade, he made several short films. "O Som ao Redor" (Neighbouring Sounds, 2013) was Mendonça's first feature-length drama, winning numerous awards.
Mendonça's films have received more than 120 awards in Brazil and abroad, with selections in festivals such as New York, Copenhagen and Cannes (Quinzaine des réalisateurs). Film festivals in Rotterdam, Toulouse, and Santa Maria da Feira have presented retrospectives of his films. He has served as programmer of cinema for the Joaquim Nabuco Foundation.
Passages
Lúcia Nagib, Samuel Paiva
Tata Amaral, Cláudio Assis
Passages showcases Brazilian films in which the utilisation of artforms and media such as literature, painting, theatre, music, photography, radio and television, functions as a 'passage' to political and social reality.
Passages
Recife Frio
Kleber Mendonça Filho
Andrés Schaffer, Luiz Otávio Pereira
In tropical Recife, in northeastern Brazil, temperatures drop to impossible lows and the inhabitants have to adapt. This 'mockumentary' gradually turns critical, looking at the climate, urban development and social interaction from every angle. Does a ray of sun pierce the clouds, after all?
Cold Tropics
Aquarius
Kleber Mendonça Filho
Sônia Braga, Maeve Jinkings
Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.
Aquarius
Crítico
Kleber Mendonça Filho
Aki Kaurismäki, Alain Riou
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
Crítico
Bacurau
Kleber Mendonça Filho, Juliano Dornelles
Bárbara Colen, Udo Kier
Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.
Bacurau
Bacurau no Mapa
Kleber Mendonça Filho
Kleber Mendonça Filho, Juliano Dornelles
Behind the scenes of Bacurau (2019)'s shooting and pre-production. With exclusive images, directors Kléber Mendonça Filho and Juliano Dornelles show how they made the film an audience and critical success.
Bacurau no Mapa
A Copa do Mundo no Recife
Kleber Mendonça Filho
Recife, undergoing so many changes, was the scene of a party of joy and tension, sports and politics. A happy experience, but full of the contradictions that make Brazil be Brazil and here wins the face and the space of Recife.
The World Cup in Recife
Noite de Sexta, Manhã de sábado
Kleber Mendonça Filho
Pedro Sotero, Bohdana Smyrnova
Friday Night Saturday Morning is a small-scale romantic love story, shot with a digital camera in black & white and in a documentary style. We follow the conversation between two lovers, each on a different side of the world; he is in Recife, she is in Kiev. On one side is dark, on the other light, but both experience the same emotions and hence feel nearness and contact.
Friday Night, Saturday Morning
