Nicolás Pereda
1982 (42 года)El palacio
Nicolás Pereda
Soledad Ramírez, Alejandra Cruz
The Palace is a documentary that follows the everyday life of seventeen women who live together, sharing a large house for emotional and financial reasons. They help each other to train for various jobs. Most become nannies, domestic workers and private nurses for elderly patients.
The Palace
¿Dónde están sus historias?
Nicolás Pereda
Gabino Rodríguez, Juana Rodriguez
Vicente (Gabino Rodríguez) is a young farmer in a rural village who scrapes by while taking care of his ill grandmother. Several of Vicente’s uncles intend to their ailing mother’s land without her knowledge. Vicente seeks help from the municipal president who, between shooting hoops on a desolate court, tells him that if he wants justice, he must head to the capital to meet with government officials. Although he hasn’t seen her since he was a child, Vicente sets off in search of his mother, who works as a maid in maze-like Mexico City. With the help of his mother’s employer, a sophisticated middle-aged woman, he finds the government offices where he presents his case. His situation isn’t easily resolved, especially since he does not have the deed to his grandmother’s plot of land, and Vicente finds the complexities of the legal system to be completely overwhelming.
Where Are Their Stories?
Verano de Goliat
Nicolás Pereda
Teresa Sánchez, Gabino Rodríguez
Summer of Goliath is a documentary/fiction hybrid that narrates various stories of the people of the town of Huilotepec in rural Mexico. Teresa's husband has disappeared and she believes he has left her for another woman. Gabino, her son, is a soldier who searches cars at the side of a country road, where very few cars pass by. He hopes one day him and Alberto, his soldier partner, will get machine guns to further intimidate the people driving by. Amalio, Nico, and Oscar are three brothers whose stories we learn through a series of interviews and reenactments. Their father left them many years ago, and their mother can barely support them. Oscar has gained the nickname Goliath after the mysterious death of his girlfriend.
Summer of Goliath
Perpetuum Mobile
Nicolás Pereda
Gabino Rodríguez, Teresa Sánchez
An itinerant mover works from the streets of Mexico City with his partner and lives with his beleaguered mother. A heightened tension within the home – by the absent older brother and unmentioned father. Gabino's casual pursuit of a career is interrupted by a series of intense and almost satirically telenovela-esque domestic vignettes.
Perpetuum Mobile
Los ausentes
Nicolás Pereda
Gabino Rodríguez, Eduard Fernández
An old man lives alone in a shabby cabin in a remote mountainous area of Mexico. His house is set to be demolished in order to facilitate the redevelopment of the area. He doesn't know how to protect his house. Time goes by and one day a young man shows up on his doorstep. Looking exhausted, he starts his new routine here, cooking and doing laundry just like the old man.
The Absent
Venice 70: Future Reloaded
Franco Maresco, John Akomfrah
Bernardo Bertolucci, Haile Gerima
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Venice 70: Future Reloaded
Los mejores temas
Nicolás Pereda
Gabino Rodríguez, Teresa Sánchez
When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.
Greatest Hits
Minotauro
Nicolás Pereda
Gabino Rodríguez, Luisa Pardo
Minotaur takes place in a home of books, of readers, of artists. It’s also a home of soft light, of eternal afternoons, of sleepiness, of dreams. The home is impermeable to the world. Mexico is on fire, but the characters of Minotaur sleep soundly.
Minotaur
My Skin, Luminous
Nicolás Pereda, Gabino Rodríguez
Gabino Rodríguez
Enigmatic and deceptively playful in tone, this film from Gabino Rodríguez, in collaboration with Nicolás Pereda, boldly transforms mundane, realist observations at a rural Mexican schoolhouse into fantasy and a sly comment on childhood, rituals, and race.
My Skin, Luminous
Todo, en fin, el silencio lo ocupaba
Nicolás Pereda
Jesusa Rodríguez
Carefully shot in black and white, All Things Were Now Overtaken by Silence is a meditation on the filming of a strange play: a fascinating monologue by actress, director, performance artist and political activist Jesusa Rodriguez of Sor Juana Ines de la Cruz’s poem First I Dream.
All Things Were Now Overtaken By Silence
Matar extraños
Nicolás Pereda, Jacob Secher Schulsinger
Gabino Rodríguez, Tenoch Huerta
A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.
Killing Strangers
The Private Property Trilogy: A Survey of the Life and Films of C.B.
Nicolás Pereda
Acclaimed Mexican Canadian filmmaker Nicolás Pereda presents a film/performance/lecture on the life and work of “C.B.,” an artist, political activist, amateur archeologist, and anarchist.
The Private Property Trilogy: A Survey of the Life and Films of C.B.