Helene Millard
1905 - 1974Helene Millard (September 30, 1905 – September 20, 1974) was an American supporting actress of the 1930s and 1940s. She started her film career in a featured role in 1929's The Thirteenth Chair. During the 1930s, she appeared in 18 films, mostly in supporting or featured roles, but her roles diminished near the end of the decade. She made six films at the beginning of the 1940s, all in supporting roles, after which she left the film industry in 1942. She returned to films briefly in 1952-53, when she made four more films, before leaving the film industry for good. Her final film appearance was in a small role in Remains to Be Seen (1953), starring June Allyson and Van Johnson. During the early 1950s, she appeared in several television shows, as well, before retiring for good in 1954 after an appearance on Topper.
She died on September 20, 1974, in Laguna Hills, California.
Marie Antoinette
W.S. Van Dyke, Julien Duvivier
Norma Shearer, Tyrone Power
The young Austrian princess Marie Antoinette is arranged to marry Louis XVI, future king of France, in a politically advantageous marriage for the rival countries. The opulent Marie indulges in various whims and flirtations. When Louis XV passes and Louis XVI ascends the French throne, his queen's extravagant lifestyle earns the hatred of the French people, who despise her Austrian heritage.
Marie Antoinette
The Biscuit Eater
Stuart Heisler
Billy Lee, Cordell Hickman
Two little boys have faith in a dog they name Promise, so much faith that they enter him in the championship trials for bird dogs. The favorite is Georgia Boy bred and trained by the boys' fathers. And if Georgia Boy doesn't win, the fathers may both lose their jobs.
The Biscuit Eater
Nothing But the Truth
Elliott Nugent
Bob Hope, Paulette Goddard
Gwen Saunders teams up with her uncle's employee, Steve Bennett, in an attempt to double her $10,000 investment in the family firm. If she can reach the $20,000 mark, her uncle T.T. Ralston will match the figure. Steve bets that if he can spend an entire day without telling a lie, Ralston and his business partners must double Gwen's money. Bennett then earns the enmity of everyone involved in his attempt to win the bet.
Nothing But the Truth
Broadway Bill
Frank Capra
Warner Baxter, Myrna Loy
Tycoon J.L. Higgins controls his whole family, but one of his sons- in-law, Dan Brooks and his daughter Alice are fed up with that. Brooks quits his job as manager of J.L.'s paper box factory and devotes his life to his racing horse Broadway Bill, but his bank- roll is thin and the luck is against him, he is arrested because of $150 he owes somebody for horse food, but suddenly a planed fraud by somebody else seems to offer him a chance...
Broadway Bill
False Faces
Lowell Sherman
Lowell Sherman, Peggy Shannon
The philandering Dr. Silas Brenton is fired from his position at a large hospital and given 24 hours to vacate the state. He sets himself up in Chicago as a "prestigious" plastic surgeon to the stars. However, Brenton's silver tongue can't cover up his dubious methods, and an investigation into his practice is launched by the examining board of plastic surgeons. A delirious film à clef based on the loathsome career of Henry J. Schireson, the self-styled “King of Quacks”.
False Faces
Ladies of the Jury
Lowell Sherman
Edna May Oliver, Jill Esmond
Society matron Mrs. Livingston Baldwin Crane is selected as a juror in the trial of former chorus girl Yvette Gordon, who's accused of murdering her rich older husband. In court and during deliberations, Mrs. Crane proves to be a disruptive and unorthodox juror.
Ladies of the Jury
My American Wife
Harold Young
Francis Lederer, Ann Sothern
Ann Sothern essays the title role in My American Wife. The story opens in Smelter City, Arizona, where the richest man in town is grizzled old Indian fighter Lafe Cantillon (Fred Stone). Lafe's social-climbing sister-in-law (Billie Burke) insists that her daughter Mary wed a titled European, Count Ferdinand (Francis Lederer). Much to Lafe's delight, Mary isn't assimilated into Continental high society; instead, she instructs Count Ferdinand in the virtues of good, old-fashioned American democracy. And, of, course, the Count and Lafe become great chums when the "furriner" proves that he can ride a bucking bronco with the best of 'em.
My American Wife
Don't Bet on Women
William K. Howard
Edmund Lowe, Jeanette MacDonald
At a big party, Roger Fallon, now a woman-hater, right to the core - this all due to a failed marriage and disastrous love affairs - talks to Herbert Drake. Herbert who is happily married, bets Fallon that the next woman who walks into the room, whoever she is, won't let Fallon kiss her for 48 hours. Fallon takes the bet. Suddenly, a very beautiful and sexy woman walks in. It's Herbert's wife, Jeanne Drake...
Don't Bet on Women
