Jorge Sesán
2021
Garúa
Gustavo Corrado
Luciano Cáceres, Jean Pierre Reguerraz
Franco kills a tango singer, and the weight of his guilt pushes him to search for information about his victim. His quest leads him into an unknown and fascinating world, a true and deep place where the tango is still alive, habitat of the last real and authentic bohemian artists in Buenos Aires.
Garúa
Pizza, birra, faso
Bruno Stagnaro, Adrián Caetano
Héctor Anglada, Jorge Sesán
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things don't go too well. One of the youths, Cordoba, whose girlfriend Sandra is pregnant, just wants to get enough cash so they can leave Argentina and get to Uruguay to start a new life. He and his friends plan one last robbery, but things don't go as planned.
Pizza, Beer, and Cigarettes
Cartero
Emiliano Serra
Tomás Raimondi, Germán de Silva
Set in the late ‘90s, in the height of the privatizations and the increase in poverty, Postman closely follows Hernán, a young man full of illusions that gets a job at the Central Post Office. There, a colleague teaches him the codes of the trade, but the harsh reality will force him to break them.
Postman
El sol
Ayar Blasco
Jorge Sesán, Sofía Gala Castiglione
Checo and Once are two difficult teenagers who live and survive in Buenos Aires after a nuclear explosion with which the film begins. It turns the world to ashes, bringing incomprehensible social changes. But for Checo and Once, who are used to an uncertain existence, not much changes in this post-apocalyptic world.
The Sun
De martes a martes
Gustavo Triviño
Alejandro Awada, Pablo Pinto
Juan is a 35 year old man whose hobby is bodybuilding. He works in a factory, where despite its huge and muscled physique, is mistreated by his bosses and colleagues. His biggest dream is to leave that life gray and a better life, especially owning your own gym, but has yet to collect some money. And that is, when, in the evening of another of his routine days, attends a terrible episode before which makes a decision that suddenly puts a moral crossroads.
From Tuesday to Tuesday
Fuga de la Patagonia
Javier Zevallos, Francisco D'Eufemia
Héctor Bordoni, Bernardo Morico
Escape from Patagonia is a gaucho-western film set in the tumultuous Patagonia of late nineteenth century. It's a story of survival, based on real facts from the personal diary of the Argentinian pioneer Francisco P. Moreno.
Fuga de la Patagonia
Túnel de los huesos
Nacho Garassino
Raúl Taibo, Daniel Valenzuela
Based on a real event, this is the spectacular escape of seven prisoners in 1991 from the Villa Devoto prison in Buenos Aires, Argentina. In the process of digging a tunnel to escape, they make a bizarre and frightening discovery just as they are about to break through to freedom. One escapee promises to report their findings when they are all free and once out, he pays his debt to "the tunnel of bones,"sharing their macabre story with a local journalist, and ultimately the world.
Túnel de los huesos
Emilia
César Sodero
Sofía Palomino, Claudia Cantero
Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.
Emilia
Al desierto
Ulises Rosell
Valentina Bassi, Jorge Sesán
Julia works as a waitress on the night shift of the Comodoro Rivadavia casino. There, she meets Gwynfor, a customer who offers an interesting work opportunity in the oil industry. And so, what starts out as a morning appointment, résumé in hand, becomes a nightmarish journey in the middle of the arid landscape of Patagonia, a space Ulises Rosell uses with the cinematic power of a western, with the inclemency of the sun and the darkness of night ravaging the protagonists. Inspired by the stories of captive women from the 19th century,
To the Desert
Marea alta
Verónica Chen
Gloria Carrá, Jorge Sesán
Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious.
High Tide
