Louis Feuillade
1873 - 1925
Un coup de vent
Étienne Arnaud, Louis Feuillade
"Alice Guy-Blaché liked Feuillade's scripts, and one of them, Le coup de vent, was filmed by Etienne Armaud in 1905. Two years later, Alice left Paris to follow her husband, who had just taken over the Berlin office of Gaumont, and she persuaded Gaumont to let Feuillade replace her. From 1907 he was in charge of hiring directors, buying scripts, choosing stars and at the same time directing his own films." From Decades Never Start on Time: A Richard Roud Anthology
Un coup de vent
Les millions de la bonne
Louis Feuillade
Paul Manson, Madeleine Guitty
Phémie comes to work as a maid in the Chaloupié household. An article and a photograph in the newspaper convince the Chaloupiés that their new servant is in fact none other than Miss Arabella Machefeller, the daughter of the celebrated American millionaire, looking for some worthy people with whom to share her fortune.
Les millions de la bonne
Séraphin ou les jambes nues
Louis Feuillade
Georges Biscot, Édouard Mathé
Following a series of unfortunate accidents, the eminently respectable Séraphin, the meticulous and correct manager in an insurance company, finds himself trouserless in the middle of the street.
Séraphin ou les jambes nues
L'hôtel de la gare
Louis Feuillade
Marcel Lévesque, Suzanne Le Bret
In order to take part in a "tournoi des dames", Narcisse Leblond persuades his wife that he is going to look after his sick godmother at Beaucaire. Naturally, the godmother in question arrives at the house a few minutes after his departure...
L'hôtel de la gare
L’aventurière
Louis Feuillade
Yvette Andréyor, Renée Carl
Having faked an automobile accident, an adventuress is taken into the home of a "ganadero" (a landowner of the Camargue), whom she seduces. Her intention is to steal, with the aid of an accomplice, a cheque which represents the proceeds of a sale of cattle. Her plan is foiled however, thanks to the dedication of the ganadero’s young secretary. Entirely shot on location in the Camargue, this is one of the earliest of Feuillade’s surviving films clearly to demonstrate his predilection for systematically mixing documentary and fiction — though the idea seems already to have been evident in the films he shot in Britanny during the summer of 1909, for example La Légende des phares. Unfortunately none of these films has survived complete.
L’aventurière