Elijah Moshinsky
1946 (79 лет)Otello
Brian Large, Elijah Moshinsky
Plácido Domingo, Kiri Te Kanawa
The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.
Otello
Nabucco
Brian Large, Elijah Moshinsky
Juan Pons, Maria Guleghina
Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille. But to Italians fighting for their freedom from Austria, Verdi’s first great opera was an inspiring call to arms.
Nabucco
Verdi: La Forza del Destino
Elijah Moshinsky
Galina Gorchakova, Nikolai Putilin
Taped live at the Mariinsky Theater in St. Petersburg, Valery Gergiev conducts this landmark production of Giuseppe Verdi's operatic masterpiece. This opera premiered at the Mariinsky Theatre in 1862, and is performed here in its original St. Petersburg version using reconstructions of the magnificent painted scenery.
Verdi: La Forza del Destino
Il Trovatore
Brian Large, Elijah Moshinsky
José Cura, Dmitri Hvorostovsky
José Cura, Dmitri Hvorostovsky, Verónica Villarroel and Yvonne Naef lead the star cast of Verdi's blazingly passionate opera IL TROVATORE, in Elijah Moshinsky's new Royal Opera House production co-produced with Teatro Real Madrid, with sets by the noted film designer Dante Ferretti and costumes by Anne Tilby.
Il Trovatore
Verdi: Otello
Elijah Moshinsky
Johan Botha, Renée Fleming
In Verdi’s retelling of Shakespeare’s towering tragedy, Renée Fleming gives a captivating performance as the innocent Desdemona, a role long considered one of her calling cards. Johan Botha as the title hero delivers an imposing portrayal of a proud warrior brought down by jealousy, and Falk Struckmann is thrilling as the villainous Iago. James Morris sings Lodovico. Elijah Moshinsky’s production is conducted by Semyon Bychkov.
The Metropolitan Opera: Otello
Ghosts
Elijah Moshinsky
Judi Dench, Michael Gambon
The publication of Ghosts in 1881 caused an uproar and almost ruined Ibsen. It was banned across Europe and sales of his plays plummeted. Its themes of moral degradation, out-of-wedlock children, venereal disease, incest, infidelity and euthanasia, proved too shocking. The play remains shocking even for modern-day audiences. Captain Alving was a respected man in his community, and on the tenth anniversary of his death, Mrs Alving is preparing for the opening of an orphanage in his honor. This effort however, is really an attempt by Mrs Alving to mask her hidden disgust with Captain Alving who in reality was a cheating, immoral philanderer who bequethed a deadly legacy to his son Oswald.
Ghosts
Cymbeline
Elijah Moshinsky
Richard Johnson, Michael Pennington
Cymbeline, the King of Britain, is angry that his daughter Imogen has chosen a poor (but worthy) man for her husband. So he banishes Posthumus, who goes to fight for Rome. Imogen (dressed as a boy) goes in search of her husband, who meanwhile has boasted to his pal Iachimo that Imogen would never betray him. And Iachimo's determined to prove him wrong.
Cymbeline
All's Well That Ends Well
Elijah Moshinsky
Celia Johnson, Ian Charleson
Helena loves Bertram, but he's of noble birth, while she's just a doctor's daughter. But Bertram is at the court of the King of France, who is ill, and Helena has a remedy that might cure him and win her the right to marry Bertram. But does Bertram want to marry her?
All's Well That Ends Well
Genghis Cohn
Elijah Moshinsky
Antony Sher, Robert Lindsay
In the midst of World War II, Nazi officer Otto Schatz declares the execution of Jewish music-hall comedian Genghis Cohn. Many years later, Otto is comfortably retired into the life of a highly respected police commissioner, and is investigating a series of murders when he encounters the ghost of Genghis Cohn. The haunting turns into a taunting, and before he knows it, Schatz is slowly driven mad as he is lured into a trap.
Genghis Cohn
Love's Labour's Lost
Elijah Moshinsky
Maureen Lipman, Jonathan Kent
When the King of Navarre and three of his cronies swear to spend all their days in study and not to look at any girls, they've forgotten that the daughter of the King of France is coming on a diplomatic visit. And the lady herself and her attendants play merry havoc with their intentions.
Love's Labour's Lost
A Midsummer Night's Dream
Elijah Moshinsky
Phil Daniels, Хелен Миррен
Four Athenians run away to the forest only to have Puck the fairy make both of the boys fall in love with the same girl. The four run through the forest pursuing each other while Puck helps his master play a trick on the fairy queen. In the end, Puck reverses the magic, and the two couples reconcile and marry.
A Midsummer Night's Dream
Verdi Simon Boccanegra
Elijah Moshinsky
Plácido Domingo, Marina Poplavskaya
Simon Boccanegra is Verdi's magnificent telling of a humble 14th century Genoan who rises to become Doge of the great city. The plot centers on the political intrigues between Boccanegra (Domingo) and his adversary, the aristocratic Jacopo Fiesco, and the discovery of his long-lost daughter, Amelia. This story though replete with an inevitable tragic conclusion is ultimately one of hope, as the two great men are able to rise above their power-driven animosities to ensure peace amongst their beloved Genoa's warring factions and by placing familial and civic love ahead of their own individual desires.
Verdi Simon Boccanegra
Otello
Brian Large, Elijah Moshinsky
Plácido Domingo, Renée Fleming
Verdi’s monumental score is fully the equal of Shakespeare’s famous tragedy—and both demand great actors. This is one performance where both playwright and composer are well served. Plácido Domingo’s Otello is one of the glories of the operatic world, beautifully sung and so commandingly acted that audiences are devastated by the end. Renée Fleming’s ravishingly beautiful Desdemona is deeply moving, and as Iago, James Morris is as beguiling as he is menacing. Under James Levine’s conducting the Met orchestra and chorus are vital characters in the drama.
Otello
Brazen Hussies
Elijah Moshinsky
Julie Walters, Robert Lindsay
After meeting her old school friend Sandra Delaney, who now works as a stripper, pub owner Maureen Hardcastle decides to spice up her flagging business by turning it into a male stripper club, with the help of untrustworthy businessman Billy Bowman.
Brazen Hussies