
Costel Constantin
1942 (83 года)Ion: Blestemul pământului, blestemul iubirii
Mircea Mureșan
Şerban Ionescu, Ioana Crăciunescu
Jon, a young peasant love more "the land" than his engaged girlhood, Florica.Just when Ion thinks he has become master of his own land, he realizes that he has betrayed his heart, and that he is still in love with Florica, not with his wife. It is the curse of love that will be Ion's undoing. Badly mistreated, Ana, his wife, is driven to despair and she hangs herself. Ion, now free and wealthy, believes that the time has come for him to have Florica. Florica's husband, George waylays Ion and savagely murders him with a hoe.
Ion: The Lust for the Land, the Lust for Love
Bucharest Identity Card
Virgil Calotescu
Mircea Diaconu, Catrinel Dumitrescu
A provincial young girl, a farming engineer, does not want to return to the countryside on graduating, but stay in the capital. But she needs a Bucharest identity card to do this. Her solution is to "buy" a husband...
Bucharest Identity Card
De ce trag clopotele, Mitică?
Lucian Pintilie
Victor Rebengiuc, Mariana Mihuț
Based on a theatrical text by Romanian writer Ion Luca Caragiale (1852-1912), who was a bitter and funny witness of the turn-of-the-20th-century Romanian bourgeois mores, Carnival Scenes manages to preserve and further enhance the slightly hysteric atmosphere of his plays. Pintilie creates a strange combination of carnival scenes which is brought to the screen as a burlesque, fast-paced, screwball comedy with a meditative undertone. This film was banned in Romania for a decade until the death of Ceausescu in 1989 and was only released after the 1989 revolution.
Why Are the Bells Ringing, Mitica?
Somnul insulei
Mircea Veroiu
Ovidiu Iuliu Moldovan, Marcel Iureș
The topic of the film points out the condition of an intellectual in time of totalitarian dictatorship, which subjugated an island from where you can not run. The only alternative is collaborating with power and internment in a rehabilitation institute. A famous writer returns to his homeland to try to confront the terror of an oppressive regime, but he ends up being himself corrupted-thanks to the aberrant system.
Somnul insulei
The Sign of the Serpent
Mircea Veroiu
Ovidiu Iuliu Moldovan, Leopoldina Bălănuță
This movie retells the story of a revenge that sweeps over the social and political events of the '40s. Because they sent her son to war and he never came back, his tough mother, Ecaterina Handraburu, decides to have her revenge on those who plotted to leave her heirless and grab her possessions.
The Sign of the Serpent
The Mysteries of Bucharest
Doru Năstase
Jean Constantin, Valentin Teodosiu
The Principality of Wallachia with the capital Bucharest (today a region of Romania) before the Revolution of the year 1848. A couple of secret societies are working to chase away the Prince Gheorge Bibescu from his throne, arms are transported on secret ways, preparing the first popular revolts in Bucharest, as the first act of the Revolution of 1848, which revolution is the first impulse of the later act of the Union of the Wallachia with Moldova (Romanian United Principalities in 1862, Kingdom of Romania in 1881 and Kingdom of Greater Romania 1918, with Transylvania, Bukovina and Bessarabia).
The Mysteries of Bucharest
Dus-întors
Mircea Daneliuc
Elena Anamaria, Constantin Bîrliba
An eclectic film, in which suspense and cynicism sometimes meet the grotesque, "Back and forth" reminds, in many ways, the future masterpiece, "Cruise" (1981), directed by Mircea Daneliuc. Placed on the water's edge, where several characters sit with their bellies in the sun and when they talk about what they want and what they don't want, when they keep quiet, "Back and forth" is the graduation film of one of the legendary filmmakers of national cinema.
Sunstroke
At the Crossroads of Great Storms
Mircea Moldovan
Vlad Rădescu, Cornel Ciupercescu
In 1848 during the tumultuous era of European revolutions shaking the continent out of its feudal-based empire-based system the Wallachian politician Nicolae Balcescu is trying to reach the same revolutionary goals at home.
At the Crossroads of Great Storms