Vicente Parra
1931 - 1997
La siesta
Jorge Grau
Ovidi Montllor, Vicente Parra
The seemingly peaceful life of a little village located in the Spanish Levant hides the most turbid and ardent passions. Calixto, a repairman of television antennas, is required by the fiery midwives to quench their sexual instincts.
La siesta
Manicomio
Luis María Delgado, Fernando Fernán Gómez
Fernando Fernán Gómez, Susana Canales
Carlos goes to visit his girlfriend Juana at the asylum where she works. Once there, the director introduces him to his niece, who is obsessed with playing the harp, and to a nurse who repeats word for word what Carlos says.
Asylum
La Raulito en libertad
Lautaro Murúa
Marilina Ross, Charo López
La Raulito travels to Madrid when she gets out of jail in Argentina to carve out a better future. Once in the Spanish capital, she participates in a documentary recounting his experience as a patient in a psychiatric hospital.
La Rauliuto In Freedom
The Cannibal Man
Eloy de la Iglesia
Vicente Parra, Emma Cohen
A young man, Marco, working as a butcher, accidentally kills a taxi driver. His girlfriend Paula wants to go to the police so he has to kill her too. He then has to kill his brother, his brother’s fiancée and his father, who have become suspicious. He gets rid of the bodies by taking them to a slaughter house.
The Week of the Killer
La verbena de La Paloma
José Luis Sáenz de Heredia
Concha Velasco, Vicente Parra
Life goes quietly in a traditional neighborhood of Madrid. Two beautiful girls, Susana and Casta, trade workers in the area, accepting mature attentions of a pharmacist, Don Hilarion. This affection dislike the young Julian, who is in love with Susan. Third movie version of the famous zarzuela by Tomas Breton. With musical arrangements by Gregorio Garcia Segura, the film tries to update the original story to fit the Madrid of the 60's.
Fair of the Virgin of La Paloma
Rapsodia de sangre
Antonio Isasi-Isasmendi
Vicente Parra, María Rosa Salgado
Andras Pulac, a young pianist, refuses to perform a concert in honor of a senior Soviet leader, as a sign of rebellion against the 1956 invasion of Hungary. His refusal, although he does not know it, harms the organizers of a demonstration against the communist cruelty, since his concert had been chosen like slogan. When Pulac finds out, he agrees to give the concert. Andras and Maria Kondor, the daughter of a communist journalist, are in love and decide to get married before the concert. Meanwhile, communist repression in the streets provokes the anger of the Hungarian people and gives rise to a real revolution.
Rapsodia de sangre
