Evald Schorm

The End of a Priest

Evald Schorm

Vlastimil Brodský, Jan Libíček

A verger, who likes to dress as a priest, is invited, by one of the villagers, to be the pastor at a vacant church. The atheist teacher resents the pastor, and tries to embarrass him in various ways, including being caught with the local girl, Majka.

Proč?

Evald Schorm, Jan Špáta

An exploration of the declining birth rate in the Czechoslovakia.

The Joke

Jaromil Jireš

Josef Somr, Jana Dítětová

In the 1950s, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers.

A Report on the Party and the Guests

Jan Němec

Ivan Vyskočil, Jan Klusák

A picnic is rudely transformed into a lesson in political hierarchy when a handful of mysterious authority figures show up.

Žít svůj život

Evald Schorm

Josef Sudek

Documentary portrait of Josef Sudek. The camera captures the famous photographer at work, during walks through the city and nature, waiting for the light. Jan Špáta's black-and-white shots are stylized according to Sudek's photographs.

Psi a lidé

Evald Schorm

Václav Babka, Helena Růžičková

Landscape with Furniture

Karel Smyczek

Vladimír Javorský, Yvetta Kornová

The story of a music academy student Zdenek, who meets a charming girl, and without realizing also gets a son with her. Dealing with such a situation is not easy, especially when one day the child's mother disappears. Twenty year old Zdenek faces a serious decision. Although he is aware that a child may endanger his studies and perhaps even future career, he refuses to entrust him to the care of the state institution.

Bástyasétány hetvennégy

Gyula Gazdag

Evald Schorm, István Iglódi

Mr. Dezső and Rezső are selecting the heroes for their new operetta. They represent different tastes and styles, and keep arguing about the casting of the four boys and four girls.

Den sedmý – osmá noc

Evald Schorm

Jan Libíček, Josef Bek

An allegory set in an archetypal Czech village, it tells of what happens when a sequence of mysterious events take place, including the disappearance of the stationmaster. While everything has a rational explanation, collective paranoia takes hold and everyone’s worst instincts are released. Interrogations, the abolition of rights and the search for scapegoats ultimately lead to murder

Hotel pro cizince

Antonín Máša

Petr Čepek, Táňa Fischerová

A gifted poet checks into a Gothic hotel in hopes of meeting the woman with whom he has long been enamored. He is surrounded by a variety of offbeat characters like the hefty homosexual cook, shadowy clerks, snooty waiters, and valets prone to violence. He finally meets the woman of his dreams only to lose her and ultimately meet with tragedy.

Pět holek na krku

Evald Schorm

Andrea Čunderlíková, Jana Krupičková

Five Girls Around the Neck, in 1967, set out to explore that critical age of adolescence when a person's character is formed for good or evil. Schorm examined a girl's problems of being giving too much. She tries to buy the goodwill of her less fortunate friends; her intentions are pure, but in the difficulty of communicating she learns envy and deceit, and must decide if she will submit to double dealing or steel her life against self-deception and mediocrity. In addition to the relationship between the girl and her friends, Schorm introduces a teenage romance and the broader relationship between the girl's parents - neatly tied together with segments of Weber's opera "Der Freischütz". He reveals himself as a skilled psychological director with a wide range of knowledge about people.

Železničáři

Evald Schorm

Dana Medřická, Richard Honzovič

A short documentary about the work of railwaymen and life on the railway.

Zmatek

Evald Schorm

Showing his own original footage of Prague Spring, director Evald Schorm describes the atmosphere these days in 1968.

Zrcadlení

Evald Schorm, Jan Špáta

Jan Kačer

A leading director of the Czech film renaissance provides a philosophical meditation on life and death, set amidst complex hospital apparatus and the sadness, hope, or resignation of the patients. Existentialist rather than optimist, the approach is one of humanistic atheism, accepting death as part of life. Interviews with doctors and nurses explore their outlook; all speak of death as a fact, without either sentimentality or religiosity. The studied objectivity of the film only imperfectly hides an intense emotionality.

Pražské noci

Evald Schorm, Jiří Brdečka

Milena Dvorská, Miloš Kopecký

A stuffy middle-aged foreigner, a businessman named Fabricius, lonely and looking for a night's diversion, finds it in the form of a mysterious blonde. In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In "The Last Golem," a young rabbi struggles to fashion a massive, silent giant out of living clay — until he's distracted by a mute servant girl. In the second episode, "Bread Slippers," an 18th-century countess indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids until a mysterious visitor whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. And in the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat '60s Czech pop songs.

Návrat ztraceného syna

Evald Schorm

Jana Brejchová, Nina Divíšková

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.