Věra Křesadlová
1944 (82 года)
Forman vs. Forman
Jakub Hejna, Helena Třeštíková
Petr Forman, Miloš Forman
A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.
Forman vs. Forman
The Joke
Jaromil Jireš
Josef Somr, Jana Dítětová
In the 1950s, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years later, he tries to get his revenge by seducing Helena, the wife of one of his accusers.
The Joke
Ikarie XB 1
Jindřich Polák
Zdeněk Štěpánek, František Smolík
The year is 2163. Starship Ikaria XB 1 embarks on a mission deep into space in search of alien life. During their perilous journey the crew confront the effects of a malignant dark star, the destructive legacy of the 20th century and, ultimately, the limits of their own sanity.
Ikarie XB 1
Čas sluhů
Irena Pavlásková
Ivana Chýlková, Karel Roden
Dana is young medical student with no self esteem, she can't deal with life, people and even not with herself. After her boyfriend leaves her, she changes to selfish woman, manipulating people and making them to serve her. She plays with her husband, neighbors and friends - for her own good and for fun.
Time of the Servants
Homolka and Pocketbook
Jaroslav Papoušek
František Husák, Helena Růžičková
The husband and wife Ludva and Hedus Homolkas with their twins Péta and Máta and Ludva's parents - the granny and grandpa - arrive in the snowy Spindleruv Mlýn for a holiday. They promise to each other that they will not spoil the quite expensive holiday by quarrels. If somebody hurts the other one he/she will kneel as a punishment.
Homolka and Pocketbook
Nejkrásnější věk
Jaroslav Papoušek
Hana Brejchová, Jan Stöckl
An artist's studio is descended upon by a group of retired men and a young mother who agree to model in the nude for money. Comedy ensues as the students and the local bureaucracy react to the models, all in need of extra money. Several running gags border on slapstick as the officials and the students don't know what to do with the nude models.
The Most Beautiful Age
Nevěsta
Jiří Suchý
Marta Vančurová, Věra Křesadlová
The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.
Nevěsta
Medvídek
Jan Hřebejk
Tatiana Vilhelmová, Anna Geislerová
Jirka, Roman, and Ivan have been friends since school. Today they are about 35 and, although they went into different fields, their friendship has lasted. Each of the three friends hides a secret, and their lives change radically when the secrets come out. How will the three friends stand up to the tests they are forced to face? Will their friendship survive?
Teddy Bear
Každý týždeň sedem dní
Eduard Grečner
Anton Ocelka, Věra Křesadlová
The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.
Every Week Seven Days
