Felix E. Feist
1910 - 1965Felix E. Feist (February 28, 1910 - September 2, 1965) was a film and television director born in New York City. Feist was the son of MGM sales executive, Felix F. Fiest (1884–1936), and nephew of publishing house magnate, Leo Feist. He was educated at Columbia University. He is probably best remembered today for Deluge (1933), for writing and directing the film noirs The Devil Thumbs a Ride (1947) and The Threat (1949), and helming the second screen version of the Curt Siodmak sci-fi tale Donovan's Brain (1953). He directed Judy Garland and Deanna Durbin in their first significant screen appearances, in the short film Every Sunday. Feist was the adoptive father of noted fantasy author Raymond E. Feist.
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Tomorrow Is Another Day
Felix E. Feist
Ruth Roman, Steve Cochran
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, and when her protector is accidentally killed, they go on the lam together, getting jobs as farm labourers. But some fellow workers get wise to them.
Tomorrow Is Another Day
The Devil Thumbs a Ride
Felix E. Feist
Lawrence Tierney, Ted North
Steve Morgan kills a man in a holdup and hitches a ride to Los Angeles with Fergie. At a gas station, they pick up two women. Encountering a roadblock, Morgan takes over and persuades the party to spend the night at an unoccupied beach house. The police close in as one by one, the others learn that Morgan is a killer.
The Devil Thumbs a Ride
Every Sunday
Felix E. Feist
Judy Garland, Deanna Durbin
Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want to cancel these concerts. To stop this from happening, Judy and Edna gather a crowd the following Sunday; and to keep its attention, they themselves perform with the orchestra. Edna sings an aria and Judy sings 'Americana'.
Every Sunday
My Grandfather's Clock
Felix E. Feist
Franklin Pangborn, Charles Judels
At Phwitterby-on-Thames, England, a murder has occurred and Philo Holmes and Dr. Watkins are out to investigate it. It seems as though there was a second will and changes have been made as to who will receive what. Philo is the ace detective, and he brings everyone from the nightclub to see him solve the case.
My Grandfather's Clock
All by Myself
Felix E. Feist
Rosemary Lane, Evelyn Ankers
Career woman Jean. almost a partner in Mark's advertising firm, has been falling in love with Mark, who of course is unaware of it. But unknown to Jean, Mark has become engaged to singer Val. When Jean finds out she tries to save face by saying that she is also engaged, and then uses a little social blackmail to get psychiatrist Bill Perry to pretend to be her fiancé for an evening out with Mark and Val.
All by Myself
This Is the Life
Felix E. Feist
Donald O'Connor, Susanna Foster
18-year-old Angela, reared in a New England town by her Aunt Betsy, receives an inheritance which she uses to go to New York, ostensibly for voice training, but she is pursuing Major Hilary Jarret, an Army surgeon with whom she has become infatuated. Her departure depresses her childhood friend Jimmy Plum. Dr. Plum devises an errand on which to send his love-sick son to New York, where Jimmy discovers Angela thinks she is Jarret's fiancée. Jimmy also renews acquaintances with a group of show people, including Sally McGuire, who attempts to console him. Jimmy meets Jarret's divorced wife, Harriet, famed photographer. Jimmy engineers a meeting of Jarret and Harriet with Angela present, which forms the beginning of an understanding that Jarret is not for her. Jimmy is inducted into the Army.
This Is the Life
Give Till It Hurts
Felix E. Feist
Janet Beecher, Clay Clement
This entry in the Crime Does Not Pay series focuses on charity fraud. Two scam artists set themselves up as 'philanthropists' to help raise money for a local clinic, but the funds they raise never get to help the people who need it.
Give Till It Hurts
Hollywood - The Second Step
Felix E. Feist
Carey Wilson, Jane Barnes
This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.
Hollywood - The Second Step
