Ulrike Ottinger

Chamissos Schatten

Ulrike Ottinger

Hanns Zischler, Burghart Klaußner

It starts with "Peter Schlemihl's Miraculous Story", which tells of a man travelling the world in seven-league boots. Adelbert von Chamisso wrote the tale before setting off to Russia on scientific expedition in 1815. He analysed the flora of Alaska and then explored the Northwest Passage, just like Cook and voyager Bering had done previously, the latter with physician and naturalist Steller in tow. A porthole reveals the view. Thus begins Ottinger's journey from Alaska to Kamchatka via Chukotka, with her predecessors’ log books to accompany her on her way.

Taiga

Ulrike Ottinger

The Darkhad and Soyon Uriyanghai peoples live in a vast valley in Northern Mongolia, much as their ancestors have for centuries. "Taiga" is the record of a long period spent by the German filmmaker Ulrike Ottinger among these people.

Exil Shanghai

Ulrike Ottinger

Six life stories of German, Austrian and Russian Jews which intersect in exile in Shanghai.

Südostpassage

Ulrike Ottinger

“Places and worlds beyond the interest of the media are at the mercy of the law of forgetting. The spotlight fades and that which urgently needs public attention lies in the dark: poverty, hopelessness, and the population's fear in the face of terror from the state or from gangs, of Mafia-like business practices and paramilitary despotism.This is not a journey to a far-off land, outside of our cultural circle; it takes place along the old transport and trade routes through the decaying empires of southeast Europe. The images collected at the side of the road distill something essential from a number of small but significant observations: the coincidence of the lack of coincidence in living conditions.” Ulrike Ottinger

Ulrike Ottinger - Die Nomadin vom See

Brigitte Kramer

Ulrike Ottinger, Ingvild Goetz

Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance where Ulrike Ottinger was born and where she still often spends time. Filmmaker Brigitte Kramer chose to begin her film at Lake Constance since she too shares Ottinger’s birthplace and a great love of these waters. This is also where the filmmaker’s own artistic development began, not least as a result of her encounter with Ottinger and her work. Other fellow travellers and friends appearing in this film include art historian Katharina Sykora, collector and curator Ingvild Goetz, film historian Ulrich Gregor, philosopher Bernd Scherer and actor Irm Hermann. Using this common ground as a starting point for an exploration of Ottinger’s substantial oeuvre, this documentary provides a keen insight into the artist’s life and work.

China. Die Künste - der Alltag. Eine filmische Reisebeschreibung

Ulrike Ottinger

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.

Johanna d'Arc of Mongolia

Ulrike Ottinger

Badema, Lydia Billiet

A group of cosmopolitan women passengers aboard the Trans-Siberian/Mongolian Railway are taken prisoner by Ulan Iga, a warrior princess.

Die koreanische Hochzeitstruhe

Ulrike Ottinger

Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love and marriage in South Korea looks closely at ancient and present-day rituals, revealing what is old in the new and new in the old. Her inquiry leads us from shamans, temples and priests, to the enchanted maze of 21st-century Seoul, where vendors of medicinal herbs co-exist with high-tech beauty salons for wedding couples and secular marriage palaces. Using film much like a canvas, Ottinger creates a modern fairytale flush with mythological heroes, traditional rites, ancestral symbolism, dreams of eternal love, and a whole lot of Western kitsch. One of her most acclaimed documentaries, it captures the amazing phenomenon of new mega-cities and their contradictory societies caught in a balancing act.

Prater

Ulrike Ottinger

Veruschka von Lehndorff, Robert Kaldy-Karo

Ulrike Ottinger’s documentary Prater (Austria-Germany), a half-decade in the making, chronicles over the past century and more the attractions that contributed to the rise and fall of Prater, the world’s oldest amusement park.

Paris Calligrammes

Ulrike Ottinger

Ulrike Ottinger weaves her personal memories of Parisian bohemianism and the serious social, political and cultural upheavals of the time into a cinematic “figure poem.”

Dorian Gray im Spiegel der Boulevardpresse

Ulrike Ottinger

Veruschka von Lehndorff, Delphine Seyrig

Our organization will create a human being whom we can shape and manipulate according to our needs. Dorian Gray: young, rich and handsome. We will make him, seduce him and break him. Ulrike Ottinger, 1984

Bildnis einer Trinkerin

Ulrike Ottinger

Tabea Blumenschein, Lutze

A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard.

Under Snow

Ulrike Ottinger

Eva Mattes

In Echigo in Japan the snow often lies several feet deep well into May covering landscape and villages. Over the centuries the inhabitants have organised their lives accordingly. In order to record their very distinctive forms of everyday life, their festivals and religious rituals Ulrike Ottinger journeyed to the mythical snow country – accompanied by two Kabuki performers. Taking the parts of the students Takeo and Mako they follow in the footsteps of Bokushi Suzuki who in the mid-19th century wrote his remarkable book “Snow Country Tales”.

Die Betörung der blauen Matrosen

Tabea Blumenschein, Ulrike Ottinger

Tabea Blumenschein, Valeska Gert

In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl. In ritual punctuation, she distributes deaths which seemingly only the hardy siren Fatality can survive.

Audience

Barbara Hammer

Barbara Hammer, Curt McDowell

Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking. Today, Audience serves as an invaluable historical archive, providing quick but complex portraits of lesbian scenes in different cities and countries: the San Francisco women are bold and raucous, treating Hammer like a celebrity; the London crowd more reserved and tentative; the Canadians politely critical after initial hesitation. It also functions as a testament to the power of Hammer herself as a figure of lesbian culture, showing how fully she engages audiences to incite new forms of discourse about representation.

Cinématon

Gérard Courant

Gérard Courant, Alain-Alcide Sudre

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.