Famie Kaufman
1924 - 2009
The Paper Man
Ismael Rodríguez
Ignacio López Tarso, Alida Valli
A deaf and mute vagabond finds a large denomination bill in a Mexico City dump, and while he tries to buy something with it, others try to con him into giving it away. The film was selected as the Mexican entry for the Best Foreign Language Film at the 36th Academy Awards, but was not accepted as a nominee.
The Paper Man
¡Ay amor... cómo me has puesto!
Gilberto Martínez Solares
Germán Valdés, Rebeca Iturbide
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
Oh, Love… How Have You Put Me!
El Vizconde de Montecristo
Gilberto Martínez Solares
Germán Valdés, Ana Bertha Lepe
Inocencio Dante, the intendant of a bank, where the director Don Miguel and their children; Marga who spends money without control, Polo who spent on gambling, have defrauded the bank with eight hundred thousand pesos, have agreed to coax "Chencho" and make it appear as responsible for the theft. In prison, "Chencho" knows Don Facundo Farias to whom he talks about his sorrows, Don Facundo happens to be the leader of the gang that stole twenty million pesos and is the only survivor who knows the place where the money is buried. After a fight, "Chencho" is put into a cell for defending Don Facundo, he in gratitude and before dying from pneumonia advises how to escape and where to find the money.later Inocencio In the style of Count of Monte Cristo flees giving a positive spin into his life. Pleasant moments alive with sparkling, funny and comical adventures of the Viscount of Montecristo.
El Vizconde de Montecristo
Ni Muy, Muy... ni Tan, Tan... simplemente Tin Tan
Manuel Márquez
Germán Valdés, Alfonso Aráu
"Ni Muy Muy, Ni Tan Tan, Simplemente, Tin Tan. Tin Tan was one of the greatest comdedian-actors in the history of Mexican Cinema. He began his film career during the early years of what became the Golden Age of Mexican Cinema. Throughout the majority of his movies he plays the character of a pachuco; the Chicano/Mexicano in zoot suit, throwing out the tirili phrases and words, and jammin the jitty-bug. With the style and the slang down to a tee, he was picked up in Cd. Juarez Chihuahua by an acting troupe. Touring extensively through-out Mexico with the troupe landed him in Mexico City with film contracts. It was in those films that Tin Tan exposed the image of the pachuco, which Mexican Youth adopted. From the desert border-towns of Juarez y El Paso the style took off in various parts of the country, most notably in Mexico City
Ni Muy, Muy... ni Tan, Tan... simplemente Tin Tan
También de dolor se canta
René Cardona
Pedro Infante, Guillermina Grin
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
También de dolor se canta
El matrimonio es como el demonio
René Cardona Jr.
Elsa Aguirre, Antonio Badú
The story of a Playboy bachelor who does not know the good that is, until he is married. Slowly, the man discovers that having a woman is not easy, but sometimes ... being faithful recomended. After sympathetic experiences and funny situations, he realizes that there are two uncorrectable errors committed by the man in your life: Being born and married!
El matrimonio es como el demonio
El fantasma de la opereta
Fernando Cortés
Germán Valdés, Ana Luisa Peluffo
Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms wearing the Claude Rains 1943 Phantom of the Opera costume.
The Phantom of the Operetta
Los líos de Barba Azul
Gilberto Martínez Solares
Germán Valdés, Amanda del Llano
A news reporter falls in love with a millionaire's young daughter, but her father tells him he won't let them marry unless he earns one million Pesos first. Helped by a friend, he tries to earn the money by marrying - and murdering - four rich women.
Los líos de Barba Azul
