
Marcial Edwards
1942 (83 года)Cofralandes, rapsodia Chilena
Raúl Ruiz
Raúl Ruiz, Bernard Pautrat
An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".
Cofralandes, Chilean Rhapsody
Tendida mirando las estrellas
Andrés Racz
Paulina Urrutia, Chamila Rodríguez
Nieves has murdered the man who was tried to rape his younger brother. Sentenced to five years in prison, she is immersed in a hard and marginal world, she does yearns to one day being released and fulfill her lifelong dream: to know the flowery desert in northern Chile. When an oversight of her captors allows her to flee, her dreams will have to wait still. She dedicates herself to managing a nightclub where her former jailmates prostitute themselves.
Tendida mirando las estrellas
Coronación
Silvio Caiozzi
Julio Jung, Boris Quercia
The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.
Coronation
Socialist Realism
Raúl Ruiz
Nemesio Antúnez, Marcial Edwards
A film made "to contribute to the internal debate of the Socialist Party" as Ruiz himself recalls, showing how a right-wing publicist is radicalizing himself to become a fervent left-wing activist, and a worker that makes the opposite journey, going from the hard left to absolute rightism.
Socialist Realism
Días de campo
Raúl Ruiz
Marcial Edwards, Mario Montilles
In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.
Days in the Country
La buena vida
Andrés Wood
Aline Küppenheim, Eduardo Paxeco
In the city of Santiago, four characters struggle to reach their goals: a psychologist who wants to help other women and save their lives, a hairdresser who wants to buy a car, a musician who wants to play in a philharmonic orchestra, and a young woman who simply survives in the city, but each of them obtains something unexpected and different from what they wanted.
The Good Life
El otro round
Cristián Sánchez
Daniel Pérez, Andrés Quintana
"Dinamita" Araya is living the crudeness of normality in an uneventful life since he retired from boxing. A chance encounter with a woman brings him back to life. The other round now takes place on life itself.
El otro round
La telenovela errante
Raúl Ruiz, Valeria Sarmiento
Pamela Fernandez, Roberto Chignoli
The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.
The Wandering Soap Opera
Vías paralelas
Cristián Sánchez, Sergio Navarro
Belén Allasio, Luis Alarcón
A former public-services worker wants to return to his job. In the attempt, he meets wandering people, who seek "parallel ways" of survival in a chaotic socio-political context in Chile, after the 1973 Coup d'état .
Vías paralelas
Imagen latente
Pablo Perelman
Bastián Bodenhöfer, María Izquierdo
In the late 1980s, a politically neutral photographer in Pinochet's Chile is still struggling to come to terms with the "disappearance" of his activist brother in the Villa Grimaldi torture centre back in 1975.
Latent Image