Yugo Saso
2021Persimmon
Dean Yamada
Sahori Ehara, Aduchi Kaneko
Tamotsu is expecting a persimmon to dry and yet he cannot accept that it is time for a man on his deathbed to die. As the persimmon mysteriously, or supernaturally, holds out from drying, so Tamotsu tries his hardest to keep the man alive. Only when Tamotsu has let go can the persimmon take its natural course.
Persimmon
Cicada
Dean Yamada
Yugo Saso, Masayuki Yui
Cicada is the story of Jumpei-- a man who loses sight of his progeny when he finds out he is infertile, but then is given the gift of clairvoyance and begins to see glimpses of the future. These glimpses lead him to a series of cicada shells, which become symbolic of his desire to shed his old self. Though his lineage ends with himself, Jumpei starts anew as a father-figure to his sister's young son.
Cicada
Jitensha
Dean Yamada
Yugo Saso, Yasuko Fleming
A co-worker confronts Mamoru on his apparent apathy toward life, and this results in Mamoru leaving his job out of humiliation. Now alone and without work, just as it seems that things could not possibly get worse, parts of Mamoru's bicycle begin to disappear, one by one. In frustration, Mamoru leaves a note for the thief, begging him to just take the whole thing. The note left in response is signed God, leaving Mamoru only more confused. At last, when the only remaining piece of the bicycle is a lonely bell, Mamoru receives an envelope, containing addresses at which each piece of the bicycle might be retrieved.
Bicycle
To End All Wars
David L. Cunningham
Ciarán McMenamin, Robert Carlyle
Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon (Ciaran McMenamin), Lt. Jim Reardon (Kiefer Sutherland) and Maj. Ian Campbell (Robert Carlyle) are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.
To End All Wars
Hee
Kaori Momoi
Kaori Momoi, Yugo Saso
Years after she related to him the story of her parents’ death in a fire, for which – rightly or wrongly – she feels responsible, Japanese psychiatrist Dr. Sanada meets his former patient Azusa once again. Back then, she lambasted him for being wrong for the job. Back then, he let slip that she isn’t actually crazy. Now she’s a prostitute living in precarious circumstances in Los Angeles and is accused of murder, with her memories once again moving inexorably towards a fire. Sanada assesses her in the presence of an investigator who appears not to understand Japanese. Is Azusa now mentally ill for real? Was she back then? And why does the description of her tormentors upset him so?
Hee
