Živojin Pavlović
1933 - 1998Национална класа до 785 ccm
Goran Marković
Dragan Nikolić, Bogdan Diklić
One week in life of Branimir Mitrovic "Floyd", a young rally driver from the National class (up to 785cc), dreaming of promotion to the higher category. He lives a carefree life of a Belgrade dandy boy, neglecting his girlfriend, avoiding his draft calls, and refusing to deal with any life responsibility in general. The decisive race on Saturday is only what he cares about.
National Class Category Up to 785ccm
Zabranjeni bez zabrane
Milan Nikodijević, Dinko Tucaković
Dušan Makavejev, Lazar Stojanović
Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.
Censored without Censorship
Кад будем мртав и бео
Živojin Pavlović
Dragan Nikolić, Ružica Sokić
The story about Jimmy Barka, a young vagabond who works as a seasonal worker. Having been sacked from the job, his dreams are to become a singer. As most of the things in the Balkans happen, he is destined to failure.
When I Am Dead and White
The Ambush
Živojin Pavlović
Ivica Vidović, Milena Dravić
Idealistic young man supports the party and the new Yugoslavia's communist regime, but soon gets involved in various political and criminal machinations becoming more and more confused about what's right and what's wrong.
The Ambush
The Enemy
Živojin Pavlović
Velimir 'Bata' Zivojinovic, Snežana Lukić
An ex-soldier named Slobodan Antic, referred to by a friend as one of the last idealists, finds himself losing control over his own life when a man identical to him starts following him around, claiming to be a friend but behaving suspiciously. Before long his dealings with this doppelganger begin to cost him and his professional and romantic life grow more and more confused.
The Enemy
The Return
Živojin Pavlović
Velimir 'Bata' Zivojinovic, Snežana Lukić
An-ex convict nicknamed Al Capone, who spent six years in jail, tries to adapt in new environment. Members of the two rival gangs try to engage him in their new ventures, but he wants to make a new start with the girl he loves. At the same time, a young criminal who shares the same nickname replaces him in these actions.
The Return
Kapi, vode, ratnici
Živojin Pavlović, Marko Babac
Janez Vrhovec, Snežana Lukić
A three-part omnibus consisting of Kino Klub amateurs' work: Zivojin Pavlovic's dialogue-free "Live Waters" set in 1943, Marko Babac's "Warriors" about psychological look at the two patients in a hospital room, as well as Kokan Rakonjac's "Raindrops" about alcoholic's decaying relationship with his girlfriend.
Raindrops, Waters, Warriors
The State of the Dead
Živojin Pavlović, Dinko Tucaković
Radko Polič, Nebojša Glogovac
When the war in Yugoslavia breaks out, an army officer who's ethnic Slovenian yet still believes in Yugoslavia, decides to move to Belgrade. The country continues to fall apart and so does his family failing to find acceptance there.
The State of the Dead
Nasvidenje v naslednji vojni
Živojin Pavlović
Metod Pevec, Boris Juh
The two enemies from war, Slovenian partisan Berk and German soldier Bitter, meet each other during holidays in Spain. Recalling the war through conversation, Berk remembers Anton, his fellow comrade he had spend the most time with.
See You in the Next War
Na putu za Katangu
Živojin Pavlović
Svetozar Cvetković, Mirjana Karanović
Obsessed by the dreams of a comfortable life, son of a coal miner comes back to his native country with plans to sell his father's house in order to travel to the African diamond mine in Katanga. Re-visiting of his hometown brings back his childhood trauma, and the nightmare of the old and new love, the events in and around the mine, all put his obsession with Katanga on test.
On the Road to Katanga
Zadah tela
Živojin Pavlović
Dušan Janićijević, Rade Šerbedžija
Due to misunderstanding and hard life, a man divorces his wife and leaves the city. He comes to a new environment, meeting new people and new wife. Crucified between two worlds, he does everything to bring her two sons on the right track, and getting on with his own life. Lost in that space, powerless to change things significantly, he commits murder.
Body Scent
Rdeče klasje
Živojin Pavlović
Rade Šerbedžija, Majda Potokar
An ex-partisan and current political activist sets out to Styria region in Slovenia to buy out the wheat from peasants and convince them to form the farming collective. His ostensible success (based on blackmailing rather than convincing), as well as his love defeat, make him disturbed and he kills an innocent man while performing a social mission.
Red Wheat
Grad
Živojin Pavlović, Marko Babac
Branka Jovanović, Mihajlo Kostić 'Pljaka'
Three stories (Love, Heart, The Hoop) set in the urban, alienated world of a big city. It tells how thin is the line between melancholy and depression. This is the only officially banned movie in history of Yugoslavia.
The City
