Noel Francis
1906 - 1959Noel was rarely given the lead female role, though she worked near the top with some of the era's best actors in films that included Smart Money (1931), in which she is a scheming blonde helping Edward G. Robinson lose his money, and Blonde Crazy (1931), where her target is James Cagney. Her most noted performance was in I Am a Fugitive From a Chain Gang (1932), working with Paul Muni in one of his strongest performances. However, perhaps because of being typecast, she found herself in "B" productions after 1932, though one was as the lead female, in Mayfair Picture Corporation's 1934 What's Your Racket?, opposite Regis Toomey.
Needing work, Noel returned to Broadway, but couldn't resume her career there, and returned to Hollywood to make three final films with Buck Jones, including Stone of Silver Creek (1935), in which she used her Broadway musical expertise to play a saloon singer. Between 1929 and 1937 Noel made 47 films.
She died October 30, 1959 in Los Angeles, California.
I Am a Fugitive from a Chain Gang
Mervyn LeRoy
Paul Muni, Glenda Farrell
A World War I veteran’s dreams of becoming a master architect evaporate in the cold light of economic realities. Things get even worse when he’s falsely convicted of a crime and sent to work on a chain gang.
I Am a Fugitive from a Chain Gang
New Movietone Follies of 1930
Benjamin Stoloff
El Brendel, Marjorie White
Minimum plot. Maximum stars of early cinema. Rich young Conrad Sterling (William Collier Jr.) is in love with struggling actress Mary Mason (Miriam Seeger). To prove his love, he hires Mary and the entire company of the show in which she is appearing to entertain his weekend guests at his lavish mansion.
New Movietone Follies of 1930
Only Yesterday
John M. Stahl
Margaret Sullavan, John Boles
On the back of the Wall Street Crash of 1929, a young business man is about to commit suicide. With the note to his wife scribbled down and a gun in his hand, he notices a thick envelope addressed to him at the desk. As he begin to read, we're taken back to the days of WW1 and his meeting with a young woman named Mary Lane.
Only Yesterday
Under-Cover Man
James Flood
George Raft, Nancy Carroll
When his father is murdered, erstwhile conman Nick Darrow asks the cops if he can go undercover to find the killers, and maybe even stop a crime ring that has been plaguing the police. The sister of another innocent victim joins him as they infiltrate the syndicate. Any wrong move could lead to instant death.
Under-Cover Man
Guilty as Hell
Erle C. Kenton
Edmund Lowe, Victor McLaglen
Richard Arlen is the convicted murderer and Adrienne Ames his sister who believes in his innocence. We see the murder and the framing set-up at the beginning of the film, so there’s no mystery for the audience to solve. Just the pleasure of watching an intricate cat-and-mouse game, with the murderer one step ahead of his pursuers until the final, tense confrontation.
Guilty as Hell
Blood Money
Rowland Brown
George Bancroft, Judith Anderson
The title refers to the business of affable, ambitious bail bondsman (and politically-connected grifter) Bill Bailey, who, in the course of his work, crosses paths with every kind of offender there is, from first-time defendants to career criminals.
Blood Money
Smart Woman
Gregory La Cava
Mary Astor, Robert Ames
A society man's loving, devoted wife, upon learning that he has been unfaithful and is planning to leave her for the other woman, strategically pretends to be having an affair of her own. The woman's friends gladly assist in the deception.
Smart Woman
