
Mireille Delunsch
1962 (63 года)Don Giovanni
Peter Brook, Vincent Bataillon
Peter Mattei, Gilles Cachemaille
Live performance at Théâtre de l’Archevêché du Festival d’art lyrique d’Aix-en-Provence 2002. Daniel Harding conducting the Mahler Chamber Orchestra and Choeur de l'Académie Européenne de Musique. Directed for stage by Peter Brook.
Don Giovanni
L'Incoronazione di Poppea
Klaus-Michael Grüber, Vincent Bataillon
Marc Minkowski, Mireille Delunsch
Experience Claudio Monteverdi's three-act opera in the environment it was meant to be seen with this release of a filmed performance captured live during a 2000 production staged at the Festival d'Aix-en-Provence in France. Mireille Delunsch, Anne Sofie Von Otter, and Sylvie Brunet star, and conductor Marc Minkowski leads the Les Musiciens du Louvre, Grenoble. Klaus Michael Grüber directs for stage.
L'Incoronazione di Poppea
Gluck: Iphigenie en Aulide / Iphigenie en Tauride
Pierre Audi
Véronique Gens, Nicolas Testé
Before the Trojan War, Agamemnon gathered the Greek armies at the port of Aulis. The goddess Diane sent unfavorable winds to prevent the Greeks from sailing. Her oracle set a condition for Agamemnon: to earn the right to sail forth and destroy an innocent country, he would have to sacrifice his own daughter. Agamemnon accepted these terms and killed his young daughter Iphigénie on the altar. In his play Iphigenia in Tauris Euripides imagines that Diane plucked Iphigénie from that altar and delivered her to a temple in distant Tauride, where Iphigénie began to serve the enemy Scythians as Diane’s high priestess—all the while Iphigénie’s family believing her dead.
Gluck: Iphigenie en Aulide / Iphigenie en Tauride
Rendez-vous avec un Ange
Sophie De Daruvar, Yves Thomas
Isabelle Carré, Sergi López
Judith, a young nurse, is so meek in front of her husband Roland, that she can't manage to tell him that she has lost her job. When he learns this, he starts to follow her...He discovers that in a secret life, she is another mysterious and sublime person.
Meeting with an Angel
Platée
Don Kent
Paul Agnew, Mireille Delunsch
The prologue sets the stage for the action: Thespis, Momus and Thalie announce the subject of the play. It is a comedy mocking the folly of man...and the story of a trap set by Jupiter to cure Juno of her jealousy. The trap? It consists in convincing the water nymph Platée that Jupiter is in love with her. Mercury officially declares Jupiter’s love to Platée. When the god appears before her – first as a donkey, then an owl - the nymph calls on the birds of the marshes, but they scare Jupiter away. Luckily he quickly returns and declares his love for Platée. He even wants to marry her. La Folie comes to sing for the fiancée during an absolutely chaotic scene. However, as the couple prepares for the wedding, Juno arrives. Furious, she puts an end to the farce and ascends to the heavens with Jupiter. Humiliated, Platée understands she has been duped. She swims off into the marshes, as the chorus sings an ironic song in her honour.
Platée