Vlastimir 'Đuza' Stojiljković
1929 (96 лет)Servisna stanica: Nema malih bogova
Radivoje 'Lola' Đukić
Милосав ''Мија'' Алексић, Миодраг Петровић „Чкаља“
In a small motel located next to the highway there's nothing but boredom and laziness, but only until the waiter Raka gets promotion becoming a DE chief (Duty executor) of it. He becomes obsessed with his position in no time, start pushing everybody around and acting like a "Small God", introducing reorganization. The staff prepares their revenge upon the visit of the general manager of all motels to this so-called renovated facility.
There Are No Small Gods
Bez stepenika
Marko Novaković
Vlastimir 'Đuza' Stojiljković, Nataša Ninković
Slavisa suffers from the Alzheimer's disease and his life in the community is becoming more complex, both for himself and for his household. His daughter and son-in-law are of the view that it is time for Slavisa to be placed in a nursing home. Slavisa desperately tries to convince them and show them that everything with him is still all right. With time this becomes more and more difficult to prove.
Stairless
Mrav pešadinac
Slavko Tatić
Sava Anđelković, Mladen Andrejević
Black ant Ameisen, the infantry ant, got mixed up in war and love turmoils. He's an experienced military slacker who does not respect strict military standards, but performs each task successfully. Red ants, headed by their clumsy general, are on the war path with black ants. Unfortunately for both sides, war happened because of a jar of moldy marmalade.
The Infantry Ant
Pop Ćira i pop Spira
Soja Jovanović
Ljubinka Bobić, Nevenka Mikulić
Life of the village elite, the two priest families, goes quietly in mutual understanding and friendship. The discord is inserted when a young teacher is able to marry the daughter of only one of the priests. Based on a popular novel by Stevan Sremac.
Priest Cira and Priest Spira
Dan četrnaesti
Zdravko Velimirović
Nikola Popović, Karlo Bulić
The topic of this routine, romantic drama is a little unusual - it concerns what some prisoners do when they are allowed out of jail for two weeks before their sentences are up. Rather than receiving some special dispensation, it turns out that in Yugoslavia this was the custom. Most of the time, the men here are engaged in pursuits that forward their relationships with the fairer sex, as might be expected after a long and lonely incarceration. There is nothing particularly profound about their two weeks of liberty, and no deep message in the tale.
Fourteenth Day
Kick-Off
Darko Bajić
Nikola Kojo, Anita Mančić
A group of students with varying family backgrounds begin to question their lives and the hypocritical values of their corrupt socialist society. Their decision to follow their own ideals brings them in disrepute with those closest to them. Their support of one another finally brings them to realise a friendship based on loyalty and belonging.
Kick-Off
A Film with No Name
Srđan Karanović
Meto Jovanovski, Mira Furlan
The Kosovo region of Yugoslavia near the Albanian border is the scene of political unrest and a modern Romeo and Juliet romance in this satirical political drama. A film director (Meto Jovanovski) gathers information for his documentary about the Serbs being forced to depart by Albanian Moslems. As the region heads towards ethnic warfare, the young Albanian woman Nadira (Sonja Jacevska) falls in love with the Serbian Miloljub (Cedo Arobabic). He is captured and castrated, and the private lives of Milobjub and Nadira become part of the director's story in his film. He must answer to the financiers and producers who believe his film was to be a comedy. The events foreshadow a long and bloody conflict between two factions, a battle that has not abated in the ten years since this film's initial release.
A Film with No Name
Oktobar
Damir Romanov, Ivan Pecikoza
Ljiljana Dragutinović, Jovo Maksić
Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.
October
Лето је криво за све
Mladomir 'Puriša' Đorđević
Милосав ''Мија'' Алексић, Milena Dravić
Whilst buying train tickets there was a mix up and Višnja has to travel to the seaside before her husband. After arrival many men start romanticizing her. In the same time, her husband is having troubles of his own trying to get to the seaside by any means necessary.
Summer Is to Blame for Everything
Noći i jutra
Pjer Mahrovski
Marija Kohn, Vlastimir 'Đuza' Stojiljković
A partisan battalion who was surrounded from all sides brings up decision to enter the city, so that the fighters could rest and recover. Due to fear of one of the partisans, the enemy discovers their plan, but fails to sabotage it.
Nights and Days
Flert
Radoslav Vojnović, Mladen Šević
Branko Vidaković, Milena Pavlović
Two girls swear their former boyfriends and sent two demons Strahinja and Lola to take them. Strahinja must deliver the main heroes of this world or, by the decision of the judge of the Dark Vilayet, be returned to the unpleasant state of death. The four stories that make this omnibus film, follow main characters which Lola and Strahinja should pick up. Each of them tries to avoid death. You will see how the sanguine, phlegmatic, melancholic and kolerik cope with the death officers.
Flirt
