Vicente Aranda
1926 - 2016Lumière et Compagnie
Gabriel Axel, Spike Lee
Jeffe Alperi, Romane Bohringer
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Lumière and Company
Freedomfighters
Vicente Aranda
Ana Belén, Victoria Abril
At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.
Freedomfighters
Lovers: A True Story
Vicente Aranda
Victoria Abril, Jorge Sanz
Set in '50s Spain, a young man leaves the army and looks for a job so he and his fiancée can get married. He rents a room from a widow, and shortly begins a torrid affair with her. The fiancée figures it out and decides to win him back by offering herself to him and taking him to meet her family. Ultimately he has to make a decision. Based on a true story.
Lovers: A True Story
El Lute: camina o revienta
Vicente Aranda
Imanol Arias, Victoria Abril
In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.
Lute: Forge On or Die
El crimen del capitán Sánchez
Vicente Aranda
Victoria Abril, Fernando Guillén
Madrid, Spring 1913. During a visit to the casino, a beautiful 20 year-old woman catches the eye of a 50 year-old rich widower. But the gamble he is about to commit is far greater than he suspects.
El crimen del capitán Sánchez
Cambio de sexo
Vicente Aranda
Victoria Abril, Fernando Sancho
José Maria is a seventeen year old boy; his father is a successful restaurant owner in a town some distance from Barcelona, in Spain. The boy is intelligent and sensitive, but his mannerisms and habits, and lack of masculine drive, lead him to get bullied at school. The school principal decides that José is the disruptive influence, and asks for him to be removed from the school. The father berates the boy, and his mother, for his failure to be a red-blooded young man, and sends him away for a while to live with a friend in the country. Father visits the boy, and takes him to a strip club in Barcelona, run by a lady friend of his, intending that this will "cure" him of his sexual reserve. However one of the acts is a pre-operative transsexual, and there is a full frontal exposure at the end. Father has arranged that after the show...
Change of Sex
Tiempo de silencio
Vicente Aranda
Imanol Arias, Victoria Abril
Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.
Tiempo de silencio
Sexo en el plató
Nacho Valcárcel
Alejandro González Iñárritu, Bigas Luna
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
Sexo en el plató
Las crueles
Vicente Aranda
Capucine, Judy Matheson
A publisher of novels begins to receive packets containing macabre: members of a female corpse. The appearance of a mysterious woman who seems related packages will lead to a situation of dramatic denouement.
The Exquisite Cadaver
The Blood Spattered Bride
Vicente Aranda
Simón Andreu, Maribel Martín
A young newlywed woman begins to have disturbing nightmares just after settling into the old mansion that has belonged to her husband's family for centuries. When her sinister dreams come true, the innocent bride is caught in a maddening maze of unspeakable horrors.
The Blood Spattered Bride
Brillante porvenir
Román Gubern, Vicente Aranda
Josep Maria Angelat, Francisco Cebrián
Antonio, a young man with a modest job in a small town, leads a monotonous existence until he is transferred to Barcelona to work in an architecture studio. From that moment, a new life opens before his eyes. He befriends Lorenzo, one of his classmates. Lorenzo is more experienced than Antonio and shows him a new, more sophisticated life in which Antonio feels out of place. Also, Antonio falls in love with Lorenzo's sister.
Brillante Porvenir
El Lute II: mañana seré libre
Vicente Aranda
Imanol Arias, Jorge Sanz
This is the story of a man fighting with all his might for his life and his freedom. Eleuterio (”El Lute”) embarks upon an action-packed future, fuelled by the notions of freedom and dreams of living just as his countrymen, ever-growing in his mind. Nothing and no-one can stop him. After escaping the Puerto de Santa María prison, the reunion with his family is just the beginning of what will become an endless escape.
El Lute II: Tomorrow I'll Be Free
Celos
Vicente Aranda
Aitana Sánchez-Gijón, Daniel Giménez Cacho
A month before he's to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman's friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man's first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen's past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?
Jealousy
Carmen
Vicente Aranda
Paz Vega, Leonardo Sbaraglia
In director Vicente Aranda's adaptation of the classic opera, a French writer documents the seductive power of the beautiful Gypsy Carmen, who turns her charms on a young soldier, awakening his passions but ultimately leading to tragedy. Jose becomes obsessed with Carmen and finds himself unable to control his jealousy, which forces him to make a deadly decision in this fiery story of love and betrayal.
Carmen
Fanny "Pelopaja"
Vicente Aranda
Fanny Cottençon, Bruno Cremer
In the slums of Barcelona, Fanny, a woman just released from prison, tries to carry out a revenge that has nourished for years: to kill "El Gallego", the corrupt and brutal policeman who killed her boyfriend
Fanny Straw-Top
