
Lü Liping
1960 (65 лет)Her career accolades include one Golden Rooster Award, Flying Apsaras Award, Golden Horse Award and Golden Phoenix Award, two Hundred Flowers Awards, Golden Eagle Awards and Chinese Film Media Awards, and she has won the 6th Tokyo International Film Festival - Best Actress, 1st Singapore International Film Festival - Best Actress and 13th Shanghai International Film Festival - Best Actress.
Under the Hawthorn Tree
Zhang Yimou
Zhou Dongyu, Shawn Dou
The daughter of a right-winger, schoolgirl Jing Qiu is sent to the countryside for reeducation, and tasked to help write a textbook. There she meets Lao San, a young soldier with a bright future ahead. Despite the class divide and parental disapproval, romance blooms against turbulent times.
Under the Hawthorn Tree
老井
Wu Tianming
Zhang Yimou, Lü Liping
A married village worker teams up with an old girlfriend to try to dig a well for his water-starved village. The well collapses and they are trapped. Their enforced confinement leads to them exploring their feelings for each other and those around them.
Old Well
二十四城记
Jia Zhangke
Joan Chen, Lü Liping
24 City chronicles the dramatic closing of a once-prosperous state-owned factory in Chengdu, southwest China and its conversion into a sprawling luxury apartment complex. Three generations, eight characters : old workers, factory executives and yuppies, their stories melt into the History of China.
24 City
西洋镜
Ann Hu
Jared Harris, Xia Yu
Beijing, 1902: an enterprising young portrait photographer named Liu Jinglun, keen on new technology, befriends a newly-arrived Englishman who's brought projector, camera, and Lumière-brothers' shorts to open the Shadow Magic theater. Liu's work with Wallace brings him conflict with tradition and his father's authority, complicated by his falling in love with Ling, daughter of Lord Tan, star of Beijing's traditional opera. Liu sees movies as his chance to become wealthy and worthy of Ling. When the Shadow Magic pair are invited to show the films to the Empress Dowager, things look good. But, is disaster in the script? And, can movies preserve tradition even as they bring change?
Shadow Magic
假装没感觉
Peng Xiaolian
Lü Liping, Sun Haiying
After Women’s Story, Peng returns to the most straightforward representation of women’s issues in Shanghai Women, a film about three rural women. As the first work in Peng’s Shanghai Trilogy, Shanghai Women describes the problem that women encounter trying to secure urban (residential) space through the story of women from three generations.
Shanghai Women
大气层消失
Feng Xiaoning
Zhang Ning, Lü Liping
A couple (Zhang Jingsheng & Lu Liping) robbed the money train for money, causing a canister truck carrying highly toxic drugs to leak gas and eventually burn through the ozone layer. At the same time, the boy (Zhang Ning) who was resting at home due to his illness suddenly found that he could understand the language of his good friend, Big White Cat. The big white cat told him that this serious accident, if not stopped in time, the living things on the earth will eventually perish. However, adults are so busy running for money that they do not believe what boys and animals say.
The Ozone Layer Vanishes
谁说我不在乎
Huang Jianxin
Feng Gong, Lü Liping
The wife of a prominent psychiatrist can't find her marriage certificate one day. This "jiehunzheng" is all important. Without it, the family officially has never existed, including the daughter. The couple go on a wild goose chase through the Chinese bureaucracy, meeting catch-22 all the way....they need a certificate to get a new one, etc. They even journey back to the People's Commune where they met, now the site of modern private enterprises where nobody even recalls the former occupants.
The Marriage Certificate
天上人間
Nelson Yu Lik-wai
Tony Leung Ka-Fai, Lü Liping
The film gets under the skin of a very marginalized group: recent immigrants to Hong Kong from Mainland China. Belying the expectation that they will belong in a territory now returned to China's sovereignty, they find themselves lonely, frustrated, poor, and employable only in the most menial jobs, from elevator service staff to prostitution.
Love Will Tear Us Apart