Aleksandar Davić
2021Žurka
Aleksandar Davić
Sonja Savić, Goran Šušljik
In the summer of 1991 the war broke out in Croatia. In a holiday house in Fruška Gora hills in Serbia, near the border with Croatia, a group of young people are having a birthday party. They try to have some fun and act like nothing is going on. The party is shattered by the war. They can hear the artillery, but something is also happening between them. Inevitably, some of the boys end up on the frontline and everyone of them is effected by the war that is starting to rage. "The Party" is about individual destinies of the characters trapped in isolated house in hills and surrounded by growing paranoia of the officially not yet declared war.
The Party
Boye: Prvi pravi ženski zvuk
Brankica Drašković
Biljana Vlaisavljević, Jasna Manjulov-Tišma
A documentary about Novi Sad’s rock band Boye, which in the early 80s gave life to female spirit in Yugoslavia’s r’n’r music, fully aware of the type of music they chose, managed to position themselves on, up to then exclusively “male” scene and forced themselves as the original occurrences.
Boye: The First Real Women Sound
Maske
Brankica Drašković
Slobodan Tišma, Marko Brecelj
It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.
Masks