Jaime Jiménez Pons
1936 (90 лет)Dos tipos de cuidado
Ismael Rodríguez
Jorge Negrete, Pedro Infante
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins. A year later they find themselves in the same town and confront each other once and for all.
Dos tipos de cuidado
Children of Giant
Hector Galán
Earl Holliman, Elsa Cárdenas
Children of GIANT is a documentary film that unearths deeply wrought emotions in the small West Texas town of Marfa, before, during and after the month-long production of George Stevens' 1956 feature film, Giant. Based on the controversial Edna Ferber novel of the same name, the film, Giant did not shy from strong social-issue themes experienced throughout post-WWII America. George Stevens, its producer and director, purposely gravitated to the drought-ridden community of Marfa for most all of the exterior scenes.
Children of Giant
Nosotros los pobres
Ismael Rodríguez
Pedro Infante, Blanca Estela Pavón
A poor neighborhood in Mexico City. Carpenter Pepe el Toro lives peacefully with his daughter Chachita while woos the pretty Celia, but tragedy knocks his door when he is falsely accused of having perpetrated a felony.
We the Poor
¡Maldita Ciudad! Una comedia dramática
Ismael Rodríguez
Fernando Soler, Martha Mijares
A humble provincial writer who wants to publish his first book offers it to a film producer who is looking for locations for a film at that time. The novelist's family then moves to the big city, where they will have to face many adversities that will make them wish they had never left their village.
Damned City!
Río Escondido
Emilio Fernández
María Félix, Carlos López Moctezuma
Called by the Mexican President himself, and in spite of a heart condition, young teacher Rosaura Salazar travels to the deserted town of Rio Escondido to accomplish the mission of bringing education to the poorest people. Being there, Salazar has to fight Regino Sandoval the evil landlord of the town. He has transformed the town into his own property, imposing his will and spreading death everywhere.
Río Escondido
Ánimas Trujano
Ismael Rodríguez
Toshirō Mifune, Columba Domínguez
Animas Trujano is a colorful but irresponsible Indian in a small Mexican village. He hopes above all things someday to be chosen mayordomio of his village, a place of great honor usually conferred upon the wealthiest and most respected citizens. Animas has a loyal wife, but cheats on her and gambles away every cent they raise. Chances arise for Animas to turn over a new leaf and even hope realistically for the honor of mayordomio.
The Important Man
El Portero
Miguel M. Delgado
Cantinflas, Silvia Pinal
Cantinflas works as a porter, who writes letters and speeches in his old writing machine to earn an extra money, despite the fact that he still goes to school. The sentimental issues come when Cantinflas falls in love of his pretty neighborhood (Silvia Pinal), who is handicapped and unable to walk. The thing wont be easy, because a young military man also has feelings for the girl. But the porter wants to see her happy, and he will become a sort of Cyrano De Bergerac, writing love letters to her signed by the young soldier. His plan is simple: to win money in the horse races in order to pay the operation which will make her walk again.
El Portero
Maclovia
Emilio Fernández
María Félix, Pedro Armendáriz
On a small Mexican island dwells a group of Indians who live in the traditional manner and who disdain outsiders. The beautiful Maclovia and the poverty-stricken Jose Maria are in love, but her father refuses to allow their marriage, or even any communication between them, due to Jose Maria's lack of means.
Maclovia
Dicen que soy comunista
Alejandro Galindo
Adalberto Martínez, María Luisa Zea
A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.
They Say I'm a Communist
