Roberto Bodegas
1933 - 2019
Españolas en París
Roberto Bodegas
Laura Valenzuela, Máximo Valverde
In the early 70's, more than forty thousand Spanish in Paris working as maids. Few had crossed the border before, and most had not even left her village. These girls are Emily, who has left behind the hard times and has adapted to the big city, Isabel struggling to her sonthat she had with a man who abandoned she, Dioni, who thinks only of early money, and Francisca, a woman who knows nothing and is lost in life.
Spaniards in Paris
Los nuevos españoles
Roberto Bodegas
José Sacristán, María Luisa San José
A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.
Los nuevos españoles
Corazón de papel
Roberto Bodegas
Antonio Ferrandis, Patxi Andión
Ups and downs of a news agency led by Antonio Borja, a veteran journalist formed during the Franco regime, with the help of his godson and protegé Tomás. The threat of economic bankruptcy, the appearance of Julia, a young journalist from last university generations, the background of the world of tabloids (tricks used by celebrities to remain so, reports sold exclusively by interested parties, photos of Stolen nudes that have been previously agreed) and what is behind the covers of magazines that weekly buy people eager for gossip form the rest of the plot.
Paper Heart
Matar al Nani
Roberto Bodegas
Frédéric Deban, José Pedro Carrión
The story of El Nani, a juvenile delinquent from the years of the Transition, whose disappearance in a police station after an interrogation has not yet been clarified, putting the accent on the denunciation of police brutality and speculating on the outcome of the story. A story that mixes political denunciation and social chronicle of an era.
Matar al Nani
La adúltera
Roberto Bodegas
Amparo Soler Leal, Rufus
With more than thirty years, Malena Fonseca is a spinster and provincial woman who, after coincidentally meeting a Frenchman named Lucien, also a thirty-something bachelor like her, decides to marry him. However, after that, and having moved to Madrid in the company of her unbearable and possessive mother-in-law, Malena will gradually discover that her husband is a very rational man whose zero interest in sex despairs her, making the woman feel attracted to the pharmacist in the corner and the hunky bread delivery man.
La adúltera
Vida conyugal sana
Roberto Bodegas
Ana Belén, José Sacristán
Enrique is a thirty-year-old lawyer who is married to Ana. Apparently he is a normal man who has only one obsession: the commercials. He feels a real passion for the erotic world of the ads either in billboards, trash cans, public transport, magazines or television. The continuous publicity bombardment ends up leading him towards a neurosis that changes his personality.
Vida conyugal sana
Libertad provisional
Roberto Bodegas
Concha Velasco, Patxi Andión
A small-time delinquent young man and a book saleswoman at home delivery, who occasionally engage in prostitution as a derivative of her work, try a way of coexistence on the basis of mutual freedom schemes.
Libertad provisional
