Rakhshan Banietemad
1954 (70 лет)
Under the Skin of the City
Rakhshan Banietemad
Mohammad Reza Foroutan, Golab Adine
Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.
Under the Skin of the City
We Are Half of Iran's Population
Rakhshan Banietemad
Bani-Etemad's documentary short was made during the months before last year's controversial elections in Iran. Filming a diverse coalition of women's rights activists discussing their opinions on pressing contemporary issues, Bani-Etemad asked three of the four presidential candidates to view the footage for comment, with Mahmoud Ahmedinejad declining to participate.
We Are Half of Iran's Population
Tales
Rakhshan Banietemad
Habib Rezaei, Mohammad Reza Foroutan
Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.
Tales
روسری آبی
Rakhshan Banietemad
Ezzatolah Entezami, Fatemeh Motamed-Arya
An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.
The Blue-Veiled
خارج از محدوده
Rakhshan Banietemad
Mehdi Hashemi, Mahmoud Jafari
Mohammad Javad Halimi is a simple government's employer who manages after years to buy a house for himself outside the city's limits. But in the second night in his new house a thief is coming to his house. He manages to catch the thief but delivering him to the authorities is another story.
Off-Limits
گیلانه
Mohsen Abdolvahab, Rakhshan Banietemad
Madjid Bahrami, Shahrokh Foroutanian
A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.
Gilaneh
بانوی اردیبهشت
Rakhshan Banietemad
Minoo Farshchi, Mani Kasraian
Forough Kia is a film-maker who got divorced from her husband many years ago and now is living with her son Maani. She decides to make a documentary about perfect mothers. In order to do so she meets many mothers to chose the perfect mother among them. She finally decides to quit making this film because of tiredness but doctor Rahbar wants her to continue. Maani is teasing her every day preventing her from marrying doctor Rahbar but she finally decides that she wants to marry him.
The May Lady
فرش ایرانی
Abbas Kiarostami, Dariush Mehrjui
Reza Kianian, Leila Otadi
Persian Carpet is an omnibus film produced by Iran's National Carpet Center and Farabi Cinema Foundation where 15 renowned Iranian directors contributed films on the subject of Persian carpet. Carpets are the reflection of the cultural and historical identity of Iran.
Persian Carpet
زرد قناری
Rakhshan Banietemad
Mehdi Hashemi, Golab Adine
After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?
Canary Yellow
باران و بومی
Rakhshan Banietemad
Baran Kosari, Ebrahim Sheibani
Aboard the top deck of a cruise ship, Baran, a young wealthy girl, notices a native boy who is dancing joyfully to beating drums. Baran arrives at a plush hotel on the mainland, however she seems somewhat disconsolate. Later she finds the native boy again and they begin to bond, playfully exploring the beach resort together. Later, the two go aboard a row-boat and the native dives down into the water to collect a pearl from the seabed for her. However, the ending leaves the audience to wonder if he was a figment of Baran's longing imagination all along. Well-shot and with a strong performance from Baran Kosari, this film perfectly captures the bittersweet pangs of young love.
Baran and the Native
