
Indrans
2021ദലമര്മരങ്ങൾ
Vijayakrishnan
Vinu Mohan, Saikumar
The hidden secrets of an attempted murder are revealed through portrayal of circumstances that three different girls pass through in their life.This film shows how three different girls from three different social and economic backdrops try to cope with their life against all odds. Their crisis gets deepened and dangerous due to the attitudes of their parents. The experiences they go through prove that lack of love and affection is the prime reason that made hell out of their lives. Lack of love and affection leads one to violence and to destruction as well. Dalamarmarangal establishes that love is the one and only antidote to violence.
Dalamarmarangal
ചക്കരമാവിൻ കൊമ്പത്ത്
Tony Chittettukalam
Gourav Menon, Joy Mathew
Uthaman and Jentry, who folloow Aalimammookka, a kind and helpful soul who loves the village and village folk. Both Uthaman and Jentry have a troubled childhood, whilst the former who comes from a very poor family aspires to enjoy luxuries, the latter yearns for parental love. The story takes a twist when Uthaman's father, Dasan tells him that Aalimammookka has many treasures and as Uthaman goes in the pursuit of the treasure, a series of interesting events unfold.
Chakkara Maavin Kombathu
പഞ്ചാബി ഹൗസ്
Rafi Mecartin
Dileep, Harisree Ashokan
Unni (Dileep) has many debts and no way to repay them. He decides to commit suicide so that his parents can use the insurance money to repay the debts, but he is saved by a fisherman named Gangadharan (Cochin Haneefa) and his employee Ramanan (Harisree Ashokan). When they notice Unni drowning, Unni pretends to be deaf and mute so that he can fake his death and the insurance money reaches his family. Gangadharan however has a debt of his own, to a Punjabi family of money lenders who have settled in Kerala. He is forced to make Unni and Ramanan to work at their home until he can repay it. A series of interesting events follow after Unni meets Pooja (Mohini) at the house, who is deaf and mute.
Punjabi House
കാട് പൂക്കുന്ന നേരം
Bijukumar Damodaran
Indrajith Sukumaran, Rima Kallingal
A special battalion of police is deployed by the government to do away with Maoist menace (A banned Left organization) in a tribal village near forest. The police forcibly occupy a tribal primary school for their camp. One day, the police are on lookout for some people in the forest near the school at night. A policeman follows a person deep into the forest and nabs the person. The person arrested happens to be a woman. He tries to come out of the forest with the arrested person, but he loses his way in the wild. The woman knows the path to get out of the forest but she is not willing to show him the way. Thus, both the hunter and the hunted are stranded in the thick forest. Power, Crime, Man, Woman, the Hunter, the Hunted... all such equations change utterly and are no more what they used to be. The film has been very un-expected resemblance with Maoist hunt and killing happened last month in Kerala.
Kaadu Pookkunna Neram