Luis Eduardo Aute
1943 - 2020Silvio Rodríguez, ojalá
Nicolás García
Leo Brouwer, Olimpia Calderón
Silvio Rodríguez learned to play guitar secretly during his military service. After 45 years of career, he's still in full musical activity and maintains his commitment to culture through their studio, Ojalá, and initiatives such as "La gira por los barrios", in which Silvio, barely advertised, performs in the most disadvantaged neighborhoods of Havana.
Silvio Rodríguez, ojalá
Un perro llamado Dolor
Luis Eduardo Aute
Accomplished singer/songwriter Luis Eduardo Aute combined more than 4,000 of his own drawings with state-of-the-art digital animation techniques for his unique animated movie that explores the relationships between several eccentric artists and their models , through seven black-and-white animated portraits.
A Dog Named Pain
Aute retrato
Gaizka Urresti
Miki Aute, Jesús Munarriz
A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.
Aute retrato
El gran Gato
Ventura Pons
Luis Eduardo Aute, Maria del Mar Bonet
"El Gran Gato" is the title of this "documented musical," as cataloged the same director, which includes the participation of singers like Tonino Carotone, Sisa, Kiko Veneno, Luis Eduardo Aute, Los Manolos, Lucrecia and Martyrdom. This manager and colleagues pay tribute to Jack Perez, singer and composer who popularized the rumba and died in 1990 when he was only 40 years. The film alternates between two parts: a documentary with more conversations with family and people who knew Jack Perez, and a second in which the aforementioned musicians interpret the best known songs of the musician.
El gran Gato
Días de viejo color
Pedro Olea
Cristina Galbó, Andrés Resino
In the Easter holidays of 1967, three friends come to Torremolinos willing to flirt and experience strong emotions. Contact with a new environment, in which while some find the lies that hide behind the luxury and splendor and dangers that accompany life easier, others find true love.
Días de viejo color
El niño y el Basilisco
Luis Eduardo Aute
Manila, 1945: a boy looks at the sea from the boardwalk, turning his back on a destroyed city. From a photograph of his childhood, Luis Eduardo Aute glances back to discover what remains in him of those eyes of a child with which he looked at the sea. With the battle of Manila as the setting, a bloody contest that claimed the lives of more than a hundred thousand people, the author remembers the boy who was and how, from that tragic experience, the figure of the basilisk began to stalk him, a being mythological in the form of a winged serpent capable of killing with its eyes, representing the adult world, degradation and death.
El niño y el Basilisco