
Frank Powell
1886 - 1957You Never Know Your Luck
Frank Powell
House Peters, Mildred Southwick
Ranch foreman Kerry has boarded with Kitty Tynan and her mother for five years in western Canada, his past is a mystery to everyone. He is actually an English aristocrat who lost all his money gambling and left the country in search of work. Kerry and his friend Horan own an option on property which crooked lawyer Burlingame is trying to secure. Burlingame's cohort Logan murders Hogan, and is caught and arrested. In the trial, Burlingame forces Kerry to admit his past, and succeeds in preventing Kerry from receiving bank assistance. When Kerry is shot, Kitty opens a letter from Kerry's wife that he had been carrying for five years, and cables her. Kerry's wife arrives and informs him that his last bet in England had turned out to be a $20,000 winner. Kerry is able to use the money just in time to foil Burlingame and secure the property, thus winning prosperity and the affections of his wife.
You Never Know Your Luck
His Last Dollar
Frank Powell
David K. Higgins, Betty Gray
Former newsboy and jockey Joe Braxton, becomes a millionaire rancher and decides to visit New York. He soon becomes the prey of swindler Tom Linson and socialite Viola Grayson. Linson defrauds Braxton's old employer, Colonel Downs, and attempts to corrupt Eleanor, the colonel's daughter. When Eleanor learns that Linson intends to destroy Joe on the stock exchange, she warns him, disregarding Linson's threat to ruin her reputation. Eleanor is too late, but Joe recovers his losses by riding Mongrel to victory in the Kentucky Futurity, after having stacked his last dollar on the horse's success.
His Last Dollar
A Lucky Toothache
Frank Powell
Mary Pickford, Mack Sennett
Bessie, the new school teacher, arrives at the little western village, and on her way to the school she meets a gang of cowboys who bestow boxes of candy and other little offerings. Not long after the girl is seized with a jumping toothache. Each boy suggests a cure, but without success. Tom, however, now appears and offers a cure. He leaves her a note stating if she will submit to his treatment he will guarantee to cure her toothache. She is in such agony that she is inclined to submit to anything, and so, though not knowing what the cure may be, consents. After great preliminaries Tom administers a resounding kiss upon her cheek..
A Lucky Toothache
White Roses
Frank Powell
Mary Pickford, Edward Dillon
Harry loved Betty, and vice versa, but Harry was very shy. No matter how he tried, he never could muster up sufficient courage to propose, despite the fact that Betty always endeavored to help him out. An idea! He writes his proposal, and invents a sentimental code of signals. The letter reads: "If you will accept me, wear red roses; if you are in doubt, the pink. If you do not love me and reject me, wear the white."
White Roses
A Sweet Revenge
D. W. Griffith
Arthur V. Johnson, Marion Leonard
After being jilted for another, a woman sends her lover's old letters to the new fiancée and looks forward to the reaction. But when she spots her old lover's glove left behind, she has a change of heart and repents.
A Sweet Revenge
A Corner in Wheat
D. W. Griffith
Frank Powell, Grace Henderson
On a whim, a greedy tycoon decides to corner the world market in wheat. This doubles the price of bread, forcing grain producers into charity lines and others further into poverty. The film contrasts the differences between the lives of those who work to grow the wheat and the life of the man who dabbles in its sale for profit.
A Corner in Wheat
The Country Doctor
D. W. Griffith
Kate Bruce, Adele DeGarde
While caring for his sick daughter, a doctor is called away to the sickbed of a neighbor. He finds the neighbor gravely ill, and ignores his wife's pleas to come home and care for his own daughter, who has taken a turn for the worse.
The Country Doctor
Lines of White on a Sullen Sea
D. W. Griffith
Linda Arvidson, George Nichols
Soon after their engagement, Bill goes to sea, and Emily vows to stay true until his return. Unknown to her, Bill marries another woman from a different port. Emily waits faithfully for six years, finally becoming dangerously ill. When Bill suddenly appears in town with his family, Joe, who has loved Emily all along, forces Bill to make Emily's final moments happy by pretending he has returned to marry her.
Lines of White on a Sullen Sea
The Impalement
D. W. Griffith
Frank Powell, Florence Barker
Bored by a doting wife who is too eager to please (she even puts a cigar in his mouth and lights it), Mr. Avery falls for a dancer, and is invited to a party she is throwing in his honor. Over her husband’s shoulder, the wife reads a letter from the dancer, with the telltale salutation "My dear boy", and threatens to poison herself if he goes. To show that he is not to be deterred by such a melodramatic trick, Avery takes the vial and pours the poison into a wine glass, saying if she decides to do this, why not do it with style? He then leaves, but not without misgivings. At the party the dancer offers him wine in a glass which looks exactly like the one he had handed to his suicidal spouse. This triggers an attack of conscience, and Avery rushes home, to find his wife in a swoon which he takes for her threat fulfilled. Madly, he bursts into the dancer’s party, confesses assisted suicide, and dies.
The Impalement
Astray from the Steerage
Frank Powell
Billy Bevan
While an immigrant couple are detained by authorities to see if they're fit, a smuggler tries to sneak a bottle into their luggage, but he accidentally gets trapped inside, and gets sent to the house where the new Americans will work.
Astray from the Steerage
All on Account of the Milk
Frank Powell
Mary Pickford, Kate Bruce
The hero, a young contractor, is mistaken by the heroine for a laborer, while he thinks she is the maid although she is the daughter of the manor. The hero continues to represent himself as a laborer in order to see the maid. The daughter, in order to continue her impersonation, borrows the maid's clothes. At the end the two main characters are brought together in their true light with the blessing of their respective mothers.
All on Account of the Milk
Over Silent Paths
D. W. Griffith
Marion Leonard, Dell Henderson
In the heart of the American west, a miner toils day after day at his rocker box while his young daughter keeps his camp. His daughter persuades him to return to civilization, where they may enjoy the fruits of their labor. Both are happy in the anticipation of what seems a bright future. While she's away, a desert wanderer appears at the camp, and at the sight of the old man weighing his gold is seized with cupidity. He himself had toiled long in the wilds, but with no success, so he demands that the old man divide his gains with him. This, of course, the miner decries, and the wanderer uses force to obtain the old man's gold. The wanderer collapses in the desert, only to be rescued by a certain young woman: the miner's daughter.
Over Silent Paths