Chieko Misaki
1921 - 2012
Where Spring Comes Late
Yoji Yamada
Chieko Baisho, Hisashi Igawa
The story is set in 1970 during the time of the first EXPO in Japan. The film’s main figure is a miner who suddenly becomes unemployed because the mine he worked in was shut down. He decides to resettle with his whole family to Hokkaido in northern Japan and start a new life as a farmer.
Where Spring Comes Late
A Trap
Yoji Yamada
Chieko Baisho, Osamu Takizawa
When her only relative, her elder brother is accused of robbing and murdering an old woman loan-shark, pretty, young Kiriko travels from her home in Kyushu to Tokyo to get Japan's top lawyer to defend her brother. Unfortunately her naive idealism is shattered when the lawyer refuses to take the case based on her insufficient funds. What follows is a long determined revenge plot that sees the heroine become a Tokyo bar hostess and worse to punish the lawyer. The plot thickens with another murder mystery and a sleuthing reporter.
A Trap
果しなき欲望
Shōhei Imamura
Hiroyuki Nagato, Misako Watanabe
Set in post-war Japan, a group of five, four men and one woman, gathers in the basement of a butcher shop to dig up a cache of morphine buried during the war. A grimly humorous tale of twisted relationships as one by one each of the group is eliminated.
Endless Desire
同胞
Yoji Yamada
Chieko Baisho, Akira Terao
This appears to be a labor of love. Its about a village which is given the opportunity to put on a musical. They would have to pay the overhead and, being that they are farmers and always busy and not rich, question the wisdom and feasibility of such an idea. A spokesperson for the acting troupe Ms. Kono lays out the whole thing and they must decide. You get little slices of rural life in Japan far, at least in sentiment, from Tokyo. The best thing about this film is that it has heart. The acting is good, but it is really about the simple storyline of outing on a show. Films rarely get made with such simplistic plots these days. Enjoy this little slice of what city people call “the simple life”.
The Village
男はつらいよ 寅次郎夕焼け小焼け
Yoji Yamada
Kiyoshi Atsumi, Chieko Baisho
Tora-san arrives in Shibamata on Mitsuo's first day of school only to find that on his account, Mitsuo was embarrassed. After a fight with his family, he goes to a bar to drink, then brings home a surly old man with a sad story, whose identity will surprise everyone. Later, Tora meets Botan, a geisha.
Tora-san's Sunrise and Sunset
男はつらいよ 口笛を吹く寅次郎
Yoji Yamada
Kiyoshi Atsumi, Chieko Baisho
Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.
Tora-san Goes Religious?
Tora-san Goes North
Yoji Yamada
Kiyoshi Atsumi, Toshirō Mifune
When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.
Tora-san Goes North
Tora-san, Our Lovable Tramp
Yoji Yamada
Kiyoshi Atsumi, Chieko Baisho
Tora-San, an itinerant peddler who is thrown out of his father's house twenty years before but reconnects with his aunt, uncle and sister Sakura. Tora wreaks some havoc in their lives, like getting drunk and silly at a marriage meeting and ruining Sakura's chance to marry someone, as well as just being a real pain to those around him. There is a sentimental side to him also, and the best way to describe him is that he grows on you.
It's Tough Being a Man
