
Sandra Milovanoff
1892 - 1957Mauprat
Jean Epstein
Sandra Milovanoff, Maurice Schutz
Romantic novelist George Sand's Mauprat as adapted by cinema visionary Jean Epstein. As a child, orphan Bernard de Mauprat was adopted by Tristan, a brigand who brought him up with his biological sons to hate, kill and pillage. Hubert de Mauprat, the elder brother of Tristan, the very incarnation of nobility, and his daughter, the beautiful and intrepid Edmée, undertake to tear wild-eyed Bernard away from his uncle. Still uncouth and rough, Bernard endeavors to wrest the love of Edmée away from her betrothed.
Mauprat
Pêcheur d'Islande
Jacques de Baroncelli
Charles Vanel, Thomy Bourdelle
Faithfully reproduced observations of Breton fisherfolk in story of the man a local woman really loves who will not at first give himself to her because of his fondness for the sea that takes him away.
Island Fishermen
Le Gamin de Paris
Louis Feuillade
René Poyen, Berthe Jalabert
Two war orphans, Joseph, apprentice printer, and Lisette, typist, live with their grandmother in Belleville. Lisette loves his next door neighbor, the painter Amedee, but this one does not offer him a union. Joseph Amedee learning is the son of a general, advocates for Lisette and everything ends in marriage.
Le Gamin de Paris
Le fantôme du Moulin-Rouge
René Clair
Albert Préjean, Sandra Milovanoff
A young man, unsuccessful in love, manages to leave his body and tours Paris, disembodied and invisible, playing practical jokes: a row of coats walks off from a hotel cloakroom; an unattended taxi drives itself away; a row of top hats appears on the pavement.
The Phantom of the Moulin-Rouge
Förseglade läppar
Gustaf Molander
Mona Mårtenson, Fred Louis Lerch
The film is based on a story by Guy de Maupausant. The story details several years in the life of convent-bred Angela (Mona Mårtenson) who leaves her convent in Italy to go live with her aunt Peppina (K. Swanstrom), whose husband Giambastista wants to take advantage of her. She flees and takes refuge with the painter Frank Wood ( handsome Louis Lerch) and winds up in a romance with Wood. Alas, Wood is already married, and when Martenson finds out, she returns to the convent in disgrace. On the verge of shutting herself off from the world and taking her vows as a nun, the heroine once again crosses the path of Wood, who is now free to marry her. Sandra Milowanoff has a big scene where she commits suicide on discovering that her husband no longer loves her.
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