Paul Page
2021
The Golden Calf
Millard Webb
Jack Mulhall, Sue Carol
In this pygmalionesque musical, a drab secretary leads a boring life until a good friend intervenes. The friend begins a total make-over upon her friend. First she slathers her in mud-packs, and then she encases her in lovely silk dresses. Soon the plain woman is transformed into an extraordinary beauty. It is no surprise that her boss, not knowing her true identity, falls hopelessly in love with her. Singing, dancing and romancing ensues. Songs include: "A Picture No Artist Can Paint," "You Gotta Be Modernistic," "I'm Telling the World About You," "Maybe Someday," and "Can I Help It."
The Golden Calf
Palmy Days
A. Edward Sutherland
Eddie Cantor, Charlotte Greenwood
Musical comedy antics in an art deco bakery (motto: "Glorifying the American Doughnut") with Eddie Cantor as an assistant to a phoney psychic, who is mistaken for an efficiency expert and placed in charge. Complications ensue when the psychic and his gang attempt to rub the payroll.
Palmy Days
Have a Heart
David Butler
Jean Parker, James Dunn
Sally (Jean Parker) is engaged to be married, loves dancing and kids. But her life is ruined when an accident cripples her and her betrothed magnanimously offers to not back out of the marriage. After rejecting his offer she starts a doll shop and tries to save for an operation. From her doll shop window she watches children and talks to Jimmie (James Dunn) the ice cream man. She wants to know Jimmie better, but is terrified of rejection.
Have a Heart
70,000 Witnesses
Ralph Murphy
Phillips Holmes, Dorothy Jordan
College football player is asked to dope a star teammate by his crooked gambler brother. He refuses, but they player is doped anyway and collapses and dies. A detective has the whole game re-enacted to find important clues.
70,000 Witnesses
The Phantom Broadcast
Phil Rosen
Ralph Forbes, Vivienne Osborne
A handsome radio singer has it all--fame, money, adoring fans--but what no one knows is that his accompanist, a hunchbacked piano player, is actually the voice behind the arrogant, abusive "singer"'s fame. The two men fall for the same girl, and when the singer turns up dead, suspicion falls upon his assistant and the girl.
The Phantom Broadcast
The Moth
Fred C. Newmeyer
Sally O'Neil, Paul Page
Wealthy young socialite Diane Wyman squanders her fortune and becomes involved in a scandalous raid at a wild party. Her legal guardian, a lecherous old man who has the hots for her, hires a private detective to spy on her. He tails her to a train headed for New Orleans, but she catches on to him. She befriends a young woman aboard the train and they both give the private eye the slip. What Diane doesn't know, however, is that that her newfound friend is actually a notorious criminal known as The Moth, and she has her own reasons for helping Diane escape--she, too, is being tailed by a detective, who's after a cache of jewels she's stolen.
The Moth
Speakeasy
Benjamin Stoloff
Paul Page, Lola Lane
Newspaper staffer Alice Woods persuades the editor to allow her to chase a story, that of prizefight contender Martin, who is about to fight for the championship. However, he does not know that his manager is preparing to double-cross him.
Speakeasy
