Daisuke Miyazaki
1980 (44 года)大和（カリフォルニア）
Daisuke Miyazaki
Hanae Kan, Nina Endo
Sakura is a moody teenage girl who lives close to the US military base in the city of Yamato, Japan. She is struggling everyday to become a rapper like the American rappers she admires, but always gets stage fright when she sings in front of an audience. One day, her mother's American soldier boyfriend's daughter REI comes from California to visit her family.
Yamato (California)
North Shinjuku 2055
Daisuke Miyazaki
Han a.k.a. GAMI, Tatsuya Nagayama
An overly curious journalist sits face to face with a resident of the mysterious district of North Shinjuku. One is trying to understand the codes and unspoken truths of a closed community; the other gradually reveals his world. Daisuke Miyazaki delivers an unorthodox, futuristic sci-fi full of recursive effects and false appearances. Shot in lustrous black and white, featuring a series of still images, this impossible dialogue is like a response from the future to Chris Marker’s La Jetée. Harrowing yet leavened by humour, the story includes street kids, ancestral pariahs and, as you’d expect, yakuzas.
North Shinjuku 2055
Videophobia
Daisuke Miyazaki
Tomona Hirota, Sumire Ashina
A young woman discovers that a sex tape made without her knowledge is circulating online. Paranoia takes over, along with a sense of injustice. Her sudden terror of video triggers a downward spiral where she loses all social bearings.
Videophobia
Made in yamato
Daisuke Miyazaki, Akira Yamamoto
Yukino Murakami, Yohei Yamazaki
The film consists of five films about Yamato in the post-Corona period. Tominaga's "The Fourth Eye" depicts a bewildered father who is introduced to his stepfather by his estranged daughter; Kiyohara's "The Light of March" tells the story of a woman who becomes pregnant at a young age and tries to flee the town. Takeuchi's "Makie no Bouken" (Makie's Adventure), Yamamoto's "Ano Hi, Kono Hi, Sono Hi" (Ano Hi, Kono Hi, Sono Hi), about a city employee who goes around taking video letters for people who are retiring, and Miyazaki's "Eri-chan to Kumi-chan no Long, Mundane Day" (Eri-chan to Kumi-chan no Long, Mundane Day), about two people who have too much time on their hands to bury a time capsule in a forest on the outskirts of town.
Made in Yamato
北新宿2055
Daisuke Miyazaki
Han a.k.a. GAMI, Tatsuya Nagayama
An overly curious journalist sits face to face with a resident of the mysterious district of North Shinjuku. One is trying to understand the codes and unspoken truths of a closed community; the other gradually reveals his world. Daisuke Miyazaki (Yamato (California), Tourism, Videophobia) delivers an unorthodox, futuristic sci-fi full of recursive effects and false appearances. Shot in lustrous black and white, featuring a series of still images, this impossible dialogue is like a response from the future to Chris Marker’s La Jetée. Harrowing yet leavened by humour, the story includes street kids, ancestral pariahs and, as you’d expect, yakuzas
North Shinjuku 2055
