Chuck Wein
1939 - 2008Jimi Hendrix: Feedback
Sonia Anderson
Keith Altham, Ed Chalpin
This new and revealing programme provides an incredibly detailed account of how Jimi Hendrix, a legendary guitarist touched by genius, lived his life in the high powered world of 60's Rock 'n' Roll.
Jimi Hendrix: Feedback
A Walk Into the Sea: Danny Williams and the Warhol Factory
Esther Robinson
Callie Angell, Brigid Berlin
Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.
A Walk Into the Sea: Danny Williams and the Warhol Factory
Superartist
Juan Drago
Paul America, Leo Castelli
Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.
Superartist
My Hustler
Andy Warhol, Chuck Wein
Paul America, Joseph Campbell
Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.
My Hustler
Beauty #2
Andy Warhol
Edie Sedgwick, Gino Piserchio
The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.
Beauty #2
Andy Warhol Screen Tests
Andy Warhol
Eric Andersen, Paul America
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
Andy Warhol Screen Tests
Music, Money, Madness... Jimi Hendrix in Maui
John McDermott
Jimi Hendrix, Billy Cox
The film chronicles the Jimi Hendrix Experience’s storied visit to Maui, their performance on the dormant lower crater of Haleakala volcano on the island and how the band became ensnared with the ill-fated Rainbow Bridge movie produced by their controversial manager Michael Jeffery. Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, the documentary incorporates never before released original footage and new interviews with firsthand participants and key players such as Billy Cox, Eddie Kramer, Warner Bros. executives and several Rainbow Bridge cast members, as well as its director Chuck Wein.
Music, Money, Madness... Jimi Hendrix in Maui
