Monica Calle
1966 (59 лет)Kapag Wala Nang Mga Alon
Lav Diaz
John Lloyd Cruz, Ronnie Lazaro
Lieutenant Hermes Papauran, one of the best investigators of the Philippines, is at a deep moral crossroad. As a member of the police forces, he is a first-hand witness of the murderous anti-drug campaign that his institution is implementing with dedication. The atrocities are corroding Hermes physically and spiritually, causing him a severe skin disease resulting from anxiety and guilt. As he tries to heal, a dark past haunts him and has eventually come back for a reckoning.
When the Waves Are Gone
Casa de Lava
Pedro Costa
Isaach De Bankolé, Inês de Medeiros
The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.
Casa de Lava
Absurdistan
Veit Helmer
Max Mauff, Kristýna Podzimková
An allegorical comedy centered on two childhood sweethearts who seem destined for one another until the women of their isolated village, angered by male indifference toward the water shortage, go on a sex strike that threatens the young couple's first night of love.
Absurdistan
The Murmuring Coast
Margarida Cardoso
Beatriz Batarda, Filipe Duarte
During the war of in-dependency Evita moves from Lisbon to Mozambique to marry Luís. She slowly discovers how different and disturbing life is in a country of war and when her husband is send on a military mission she starts to fight loneliness. Over time she finds out more about her husband and Mozambique than she would have imagined in her peaceful European home. Racism, violence, injustice and fatalism make life unbearable...
The Murmuring Coast
O Filme do Desassossego
João Botelho
Cláudio da Silva, Pedro Lamares
Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.
Disquiet
Cinzento e Negro
Luís Filipe Rocha
Joana Bárcia, Miguel Borges
The story of Maria, a woman betrayed by his companion, David, when he steals a sack of money and flees, taking refuge in the island of Pico. Furious and determined to avenge herself, she proposes to an Police Inspector, Lucas, to chase and to find David. However, David, on a visit to the island of Faial, falls in love with a local, Marina. Maria and Lucas look for David in the Azores, they cross with Mariana in Faial and the three will discover David in his house of the mountain, at the top of the Peak. In a final confrontation, as in a Greek tragedy, Mary and David adjust the accounts that fate has traced to them.
Grey and Black
Fado majeur et mineur
Raúl Ruiz
Jean-Luc Bideau, Melvil Poupaud
Pierre, a middle-aged tourist guide, is the victim of a sudden failure : he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?
Fado, Major and Minor
Aqui Na Terra
João Botelho
Luís Miguel Cintra, Jessica Weiss
Miguel (Luis Miguel Cintra) is lucky that his income will only level off if he neglects his business as a financier, and his wife and family will be well supported. Why? Because he has begun hearing noises that no one else hears, noises that bother him a great deal, and that make it impossible for him to bear human society. His wife (Jessica Weiss) is thoroughly put out by this radically changed behavior in her formerly good husband, but though she considers leaving him, she stays by his side. Deep in the mountains, Cecelia (Rita Dias), a devout, pure young cowherd, has been brutally raped by an old man. Her boyfriend (Pedro Hestnes) has killed the rapist, and fled the area. As a result of the rape, Cecelia is pregnant. One day, while driving in the mountains, Miguel gives Cecelia's boyfriend a ride. The two of them chance upon her sitting amid the rocks with her infant baby.
Here on Earth
Nós
Cláudia Tomaz
João Pereira, Isabel de Castro
Francisco just got out of prison after a six year sentence and is now a free man. He wants to change, and after a few days sleeping in the subway tunnels, and some small jobs, he finally gets a room on a cheap hotel. He changes his looks, gets a job, lives his life.
Us
Longe Daqui
João Guerra
Canto e Castro, Filipe Cochofel
Catalyst in the story of crossed paths is a 1957 Ford Fairlane being driven through Portugal’s Alentejo region to a new owner. Film’s overly protracted opening has car’s drivers (Filipe Cochofel, Antonio Pedro Figueiredo) joy riding the night away until the roadster breaks down. Momentum picks up at sunrise with their attempts to fix the car. A retired mechanic-turned-beekeeper with a heart condition (Canto e Castro) does the trick and convinces Figueiredo to take him cross-country on a motorbike to look up an old friend. Cochofel and the mechanic’s alarmed niece (Maysa Marta) follow in pursuit. The old man dies peacefully on the road, but Figueiredo, having wholeheartedly grasped his deliverance mission, keeps going.
Far Away from Here
Casa Conveniente
Barbara Balestas Kazazian
Monica Calle, René Vidal
Mónica Calle is fighting with her theatre company to remain an actress, a woman, in a society where the place of art is constantly challenged. She draws this strength from Zona J, a district in the periphery of Lisbon, where she has set up her new place of creation, surrounded by former prisoners.
Casa Conveniente
Boa Alma
Eduardo Breda
Monica Calle, Mónica Garnel
Luís Mário Lopes wrote the solo A Boa Alma for Mónica Calle in 2015, based on the works of Bertolt Brecht marking the departure of Casa Conveniente from Cais do Sodré and their arrival in the new venue in zona J, Chelas. The original score is by JP Simões.
Boa Alma
