Ronnie Lazaro
1957 (68 лет)
Lasponggols
Sigfreid Barros-Sanchez
Jeffrey Quizon, Dwight Gaston
A black comedy film, which focuses on two film workers, Raffy, the clapper, and Dido, a utility boy. Both share the same dream: to direct their own films someday. Their lives as mere "small production people" took a different turn when, together with the people in the unit van they were riding,had an encounter with armed men. Their co-workers were killed, and the two of them were forced to drive the unit van out of fear until it ran out of gas. The van contains equipment for movie production like cameras, lights and film stocks. They ended up in a secluded barrio not yet reached by modern technology, and therefore, the townsfolk knew nothing of the movie industry.
Last Take, Last Shot
Ang Mga Kidnaper Ni Ronnie Lazaro
Sigfreid Barros-Sanchez
Ronnie Lazaro, Nonie Buencamino
"ANG MGA KIDNAPER NI RONNIE LAZARO" is about a group of down and out-of-luck men who decided to make a film starring Ronnie Lazaro, the most sought-after indie actor in the Philippines. Things get complicated when Lazaro decides to beg-off from acting on their supposed "indie film" and the guys were forced to abduct the actor." - Agimat Project
The Kidnappers of Ronnie Lazaro
Tukso
Dennis Marasigan
Irma Adlawan, Nonie Buencamino
The mysterious death of a young village lass leads to the investigation of those who knew her and what they may have to gain from her death. Told from the perspectives of the different characters, the film examines how one's view may lead to varying interpretations of the same incidents.
Temptation
Brutus, Ang Paglalakbay
Tara Illenberger
Rhea Medina, Timothy Castillo
Shot in Oriental Mindoro, Philippines, Brutus follows two kids smuggling logs from the mountains. It is about the journey that opens their eyes to a 'world' that is ruled by greed and torn by the political conflicts.
Brutus, Ang Paglalakbay
Illusion
Ellen Ramos, Paolo Villaluna
Yul Servo, Jennifer Lee
Set in Philippine post-American colonialist era, where the American influence was still apparent, Ilusyon tells the story of Miguel, a young man from the countryside, who decides to visit his father, Pablo, a Modernist painter in Manila. Upon his arrival, he discovers that his father has decided to leave for the province but he opted to stay in Manila for a vacation. One day, he meets Stella, a nude model originally scheduled to pose for Miguel's father. Struck by her beauty, Miguel does the unthinkable - he pretends to be his father the painter. Developing a relationship based on a lie, things turn for the worse as Stella begets a strange skin disease that turns off Miguel. Surrounded by strange characters - a talking cow, a talkative mailman and a nosy landlady - Miguel is driven into a frenzy realization about beauty, lust, love and being true to oneself. An ambiguous ending underlines the surreal tone of the film.
Illusion
Heroes
Raymond Red
Julio Diaz, Ronnie Lazaro
Independent filmmaker Raymond Red's first crossover to full-length feature is a highly visual chronicle of the rise and fall of revolutionary hero Andres Bonifacio. Noted for its heavy stylistics and painstaking attention to filmic detail, the biopic also tackles the momentous events surrounding the Philippine struggle against Spanish colonialism. The historical epic is a most fitting cinematic memorial to the centenary of Philippine independence.
Heroes
José Rizal
Marilou Diaz-Abaya
Cesar Montano, Joel Torre
Accused of treason, Dr. Jose P. Rizal awaits trial and meets with his colonial government-appointed counsel, Luis Taviel de Andrade. The two build the case and arguments for the defense as significant events in the central figure's life prior to his incarceration unfold. Upon hearing Rizal's life story, Taviel begins to realize that the accused not just is innocent but exhibits in fact all the qualities of an extraordinary man. When the mock trial unreels, Taviel is all set to act as the prime advocate for his client as Rizal himself is about to give an earth-moving speech to defend his honor and address his countrymen. Meanwhile, the Spanish authorities have worked out the vast political machinery to ensure a guilty verdict. A revolution waits in the wings.
José Rizal
Gold, Silver, Death
Peque Gallaga
Joel Torre, Cherie Gil
Oro, Plata, Mata follows two aristocratic families in Negros during World War II. It is structured in three parts: Oro a life of luxury and comfort in the city, Plata a still-luxurious time of refuge in a provincial hacienda, and finally Mata a toilsome retreat deeper into the mountains.
Gold, Silver, Death
Joyful Mystery
Abbo De La Cruz
Tony Santos, Johnny Delgado
The fortunes of three impoverished friends and their families abruptly change after an airplane crashes in a nearby mountain. They rush to the crash site along with all the villagers, not to help the victims but to plunder their valuables. A dead American passenger carried a large amount of money in his briefcase which Mesiong, Ponsoy, and Jamin find and avariciously keep for themselves. But the town mayor gets greedy and with his hirelings abducts the three to divest them of their booty.
Joyful Mystery
