Ilya Khrzhanovsky
1975 (49 лет)4
Ilya Khrzhanovsky
Yuri Laguta, Konstantin Murzenko
Торговец мясом — профессия еще недавно культовая. А теперь — самая обычная. Настройщик рояля — специальность во все времена уникальная и почти никому ненужная. Проститутка, казалось бы, дело другое. Дело всегда нужное, чуть ли не престижное. Но и она, подобно другим героям нового фильма, придумывает себе более актуальное на сегодня ремесло.
4
DAU. Degeneration
Ilya Permyakov, Ilya Khrzhanovsky
Vladimir Azhippo, Dmitry Kaledin
A secret Soviet Institute conducts scientific and occult experiments on animals and human beings to create the perfect person. The KGB general and his aides turn a blind eye to erotic adventures of the director of the Institute, scandalous debauches of prominent scientists and their cruel and insane research. One day, a radical ultra right-wing group arrives in the laboratory under the guise of test subjects. They get a task - to eradicate the decaying elements of the Institute’s community, and if needs be, destroy the fragile world of secret Soviet science.
DAU. Degeneration
DAU. Natasha
Jekaterina Oertel, Ilya Khrzhanovsky
Natalia Berezhnaya, Olga Shkabarnya
Natasha runs the canteen at a secret 1950s Soviet research institute. This is the beating heart of the DAU universe, everyone drops in here: the institute's employees, scientists and visiting foreign guests. Natasha's world is a small one, split between the demands of the canteen during the day and alcohol fuelled nights with her younger colleague Olga, during which the two confide their hopes of romance and for a different future. At a party one evening Natasha becomes close to a visiting French scientist Luc Bige and the two sleep together. The following day her life takes a dramatic turn when she is summoned to an interrogation by the KGB's General Vladimir Azhippo who questions the nature of her relationship with the foreign guest.
DAU. Natasha
DAU. Nora Mother
Jekaterina Oertel, Ilya Khrzhanovsky
Lydia Shchegoleva, Radmila Shchegoleva
Once just a girl from the provinces, Nora is now married to a successful scientist and lives together with her family within the confines of a secret and privileged Moscow institute. Nora is visited by her mother for the first time since her wedding. Her mother closely observes the atmosphere within the couple's home, trying to work out whether her daughter is happy. During the course of their intimate conversations the complexity of their contradictory relationship is revealed.
DAU. Nora Mother
DAU. Katya Tanya
Jekaterina Oertel, Ilya Khrzhanovsky
Alexey Trifonov, Ekaterina Uspina
Katya, a young librarian, believes in love, but her ideals are crushed by reality. After a string of disappointing affairs, Katya finally finds tenderness and understanding in the arms of her colleague, a journalist called Tanya. But then the First Department interferes: the state security services see this relationship as unacceptable for a Soviet woman.
DAU. Katya Tanya
DAU. Brave People
Alexey Slyusarchuk, Ilya Khrzhanovsky
Andrey Losev, Alexey Blinov
It is 1953, Stalin has just died. It is a troubled and uncertain period for the whole of the Soviet Union, particularly for the state security services. In the Institute, a secret research facility, the scientists continue their theoretical and experimental work. Every night they strain their ears to listen for footsteps in the dark corridors: who have they come for this time? Who has reported on who? Having survived the fear and humiliation of an interrogation, the Head of the Theoretical Department, Andrei Losev, refuses to cooperate with the security services, only to face a new ordeal back in his own home.
DAU. Brave People
DAU. Three Days
Jekaterina Oertel, Ilya Khrzhanovsky
Maria Nafpliotou, Radmila Shchegoleva
It is 1956. Dau is a distinguished Soviet scientist who meets up with the love of his youth – Maria, a Greek actress – during her three day visit to Moscow. They haven't seen each other for 25 years. Dau is a successful and prosperous scientist, but feels excruciatingly dissatisfied with his family life. Through Maria he hopes to regain lost harmony and beauty, but reality intrudes when Nora, Dau's wife, returns home.
DAU. Three Days
ДАУ. Новый человек
Ilya Permyakov, Ilya Khrzhanovsky
Maxim Martsinkevich, Vladimir Azhippo
Maxim and his comrades-in-arms are participating in top-secret experiments into the creation of a new man. The employees of the secret Institute are characterised by everything Maxim detests: alcoholism, depravity, weak will, loss of ideals, and lack of faith in the future. Vika, one of the waitresses in the Institute's cafeteria, falls in love with the young communist, though she is scared by his fascination with eugenics and his violent tendencies. Vika hopes that her passion and tenderness will soften Maxim, while the state security agents keep a watchful eye on their developing relationship.
DAU. New Man
DAU. The Empire. Novel One: Return Of The Prodigal Son
Ilya Khrzhanovsky, Anatoly Vasiliev
Anatoly Vasiliev, Teodor Currentzis
«The Return of the Prodigal Son» is the first volume from the film (novel) of Anatoli Vassiliev’s «Empire» inside the Dau cycle. The story is about inner kinship, which is much closer than blood, about inevitable betrayal, about almost fatherly love and forgiveness. Cigarettes (papirossa), images from «Faust» and «Don Juan», walks in the Soviet Park of culture... And a terrible, narrow gap inside the brutal regime where you have to be skilled enough to survive... Yes! and they also play gorodki (skittles) with childish passion!
DAU. The Empire. Novel One: Return Of The Prodigal Son
DAU. String Theory
Alexey Slyusarchuk, Ilya Khrzhanovsky
Ekaterina Uspina, Svetlana Dragayeva
Nikita Nekrasov is a scientist, a theoretical physicist who studies our world and other possible worlds. He refuses to make a choice between mathematics and physics, between one woman and another, as he ponders the existence of the multi-universe. At scientific conferences, attended by eminent foreign scientists and a rising younger generation of physicists alike, Nekrasov gets carried away debating the beauty of string theory. He attempts to explain to all of his women – Katya, the librarian, Zoya, the scientific secretary, Svetalana, the head of department – about the theory of his own polygamy, and the possibility of having enough feelings to satisfy everyone.
DAU. String Theory
DAU. Nikita Tanya
Jekaterina Oertel, Ilya Khrzhanovsky
Nikita Nekrasov, Tatyana Pyatina
Within the top secret Institute of Physics Problems, the scientist Nikita Nekrasov is visited by his wife and small children. While away from his family the physicist has managed to fall in love with other women. In open conversations with his spouse – in the bedroom, the dining room, and while out walking – he attempts to convince her of the legitimacy of polygamous relationships, and to test the limits of her unconditional love.
DAU. Nikita Tanya
ДАУ. Саша Валера
Jekaterina Oertel, Ilya Khrzhanovsky
Alexandr Bozhik, Valery Andreev
Sasha, a young janitor, notices a certain softness and kindness in an older janitor. In a small, secluded room, away from their colleagues, the two men waver between resisting and giving in to their feelings and desires, walking a tightrope between violent tendencies and a need for tenderness.
DAU. Sasha Valera
DAU. Regeneration
Ilya Permyakov, Ilya Khrzhanovsky
Alexey Blinov, Dmitry Kaledin
A mathematician in a secret Soviet research Institute believes that ayahuasca is the key to unlocking all the potential of the quantum universe, but its nightmarish visions also foreshadow his tragic demise.
DAU. Regeneration
Легенда о Зигфриде
Svetlana Strelnikova
Siegfried, Svetlana Strelnikova
The film is about the long-term relationship between the director and the character of her first film, the French indie artist, musician and director Siegfried, known as Sig. The story is dedicated to the experience of growing up, emancipation and finding their own identity in life and in art. The film raises questions about the nature of the student-teacher relationship, which inevitably involves submission and conflict, and the nature of the director and hero relationship, which is based on love and a little manipulation.
The Legend of Siegfried
DAU. Nora Son
Jekaterina Oertel, Ilya Khrzhanovsky
Anna Volkova, Radmila Shchegoleva
Alienated from the rest of the scientific Institute in which they live, a lonely housewife and her teenage son break the ultimate taboo, with only their submissive maid to bear witness.
DAU. Nora Son
