Yvonne Rainer
1934 (90 лет)In 2000 and 2001 Rainer returned to dance via commissions from the Baryshnikov Dance Foundation to choreograph work for the White Oak Dance Project, including a 35-minute piece called After Many a Summer Dies the Swan.
Since 1972, Rainer has completed seven feature-length films, beginning with Lives of Performers (1972) and more recently The Man Who Envied Women (1985), Privilege (1990), and MURDER and murder (1996).
Rainer has received numerous awards and fellowships for her work, including two Guggenheim Fellowships (1969, 1988), three Rockefeller Fellowships (1988, 1990, 1996), a MacArthur Fellowship (1990-95), and a Wexner Prize (1995), as well as four Honorary Doctor of Fine Arts Degrees. Yvonne Rainer: Work 1961-73 was published by Nova Scotia College of Art and Design and New York University Press in 1974; The Films of Yvonne Rainer, a collection of her film scripts, was published by Indiana University Press in 1989; and A Woman Who...: Essays, Interviews, Scripts was published by Johns Hopkins University Press in 1999.
Rainer's latest choreographic work, based on Balanchine's AGON, was presented at Dance Theater Workshop, April 2006, subsequently traveling to the Getty Museum. A memoir, Feelings are Facts: A Life, was published by MIT Press in 2006.
Grand Opera: An Historical Romance
James Benning
Hollis Frampton, Owen Land
Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.
Grand Opera: An Historical Romance
Privilege
Yvonne Rainer
Daniel Martin Berkey, Blaire Baron
Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.
Privilege
Feelings Are Facts: The Life of Yvonne Rainer
Jack Walsh
Yvonne Rainer, B. Ruby Rich
Feelings Are Facts: The Life of Yvonne Rainer chronicles the defiant, uncompromising, and highly influential ideas of postmodern choreographer and filmmaker Yvonne Rainer. Over the course of her career, she revolutionized modern dance, generated what later became known as performance art, and changed the basic tenets of experimental filmmaking - all during a time when women were largely ignored in the art world. Today she continues to push forward, creating vibrant, courageous, unpredictable work, inspiring a new generation of artists to question, overthrow, and generate possibilities of their own. Feelings Are Facts: The Life of Yvonne Rainer is the story of this remarkable artist and the equally remarkable times that shaped her creative practice.
Feelings Are Facts: The Life of Yvonne Rainer
Kristina Talking Pictures
Yvonne Rainer
Bert Barr, Frances Barth
Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
Kristina Talking Pictures
MURDER and murder
Yvonne Rainer
Joanna Merlin, Kathleen Chalfant
Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life emotional attachment and lesbian identity in a culture that glorifies youth and heterosexual romance.
MURDER and murder
Film About a Woman Who…
Yvonne Rainer
Dempster Leech, Shirley Soffer
Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.
Film About a Woman Who…
Cinématon
Gérard Courant
Gérard Courant, Alain-Alcide Sudre
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Cinématon
What is Cinema?
Chuck Workman
Chantal Akerman, Robert Altman
Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and others do that can't be expressed in words - but only in cinema.
What Is Cinema?
Lives of Performers
Yvonne Rainer
John Erdman, Valda Setterfield
Embodying Rainer’s aesthetic rigor and wit, the film combines fiction and documentary, script readings, dance snippets, still photos, and tableaux vivants to explore issues of power and gender that influence the emotional lives of her performers.
Lives of Performers
Madame X - Eine absolute Herrscherin
Tabea Blumenschein, Ulrike Ottinger
Tabea Blumenschein, Roswitha Janz
The notorious pirate ruler Madame X places a print ad, calling on women to escape their boring lives and promising "gold, love and adventure" to all who come aboard her ship, the Orlando. A motley crew including a housewife, diva and artist (played by Yvonne Rainer) embark on a quest for self-transformation, which quickly heads towards destruction as they are subjected to Madame X's sadistic, erotic escapades.
Madame X: An Absolute Ruler
Hand Film
Yvonne Rainer
Yvonne Rainer
Rainer's first film, Hand Film, was shot by fellow dancer William Davis when Rainer was confined to a hospital bed, recovering from major surgery and unable to dance. The resulting five minutes of footage is a sustained close-up shot of Rainer's hand against a grey background as it stretches and contracts, bends and points, performing the kinds of everyday, quotidian movements that characterize her pioneering minimalist choreography.
Hand Film